This important book uses close readings of sixteen key French autobiographers to provide a major contribution to theoretical discussions of the genre. Sheringham traces the development of autobiography in French from Rousseau, exploring the differing devices with which autobiographers have dealt with enduring challenges: the difficulty of self-scrutiny, the self as textual construct, the relation to the reader, the problem of memory, and the influence of other texts and people.

Dr Scott argues that only by attending to the precise locations of words in line or stanza, and to the specific value of syllables, or by understanding the often conflicting demands of rhythm and metre, can the reader of poetry acquire a real grasp of the intimate life of words in verse with all their fluctuations of meaning, mood and tone. The analyses through which the book pursues its argument address two principal concerns: the way in which syllabic position projects words and colours their complicated and challenged by the relationship of rhythm to metre.

This is the first major study of naturalist fiction as a distinct literary genre. The author focuses mainly on French naturalist literature, but also draws examples from other national traditions, particularly from the English novel. Professor Baguley questions many traditional assumptions on important theoretical issues such as the nature of literary history, the concepts of "realism" and "naturalism," and the relations between science and literature. He also analyzes a number of key works in detail. He demonstrates that, far from merely recording the external aspects of reality, naturalist...

This wide-ranging study explores the ideological framework of genre in Old French and Occitan literature by charting the relationship between ideology and gender in five key genres: the chansons de geste, courtly romance, the Occitan canso, hagiography and the fabliaux. Simon Gaunt offers new readings of canonical Old French and medieval Occitan texts such as the Chanson de Roland, Chré tien de Troyes' Chevalier de la charrete, and lyrics by Bernart de Ventadorn. In addition, he considers many less well-known works and less familiar genres such as hagiography and the fabliaux. Drawing on...

Timothy Mathews examines work by a range of writers and painters working in France in the twentieth century. This book engages with canonical figures--Guillaume Apollinaire, Marguerite Duras and Jean Genet, Roland Barthes, Pablo Picasso and Rene Magritte--as well as more neglected individuals including Robert Desnos and Jean Fautrier. Integrating theoretical and material approaches to reading and viewing, Mathews engages with the distinctive features of different literary genres and different types of painting to develop an original history of artistic ambition in twentieth-century France.

Taylor explores the work of Francois Villon and his relationship to his predecessors and contemporaries.

This is the most complete critical survey to date of women's literature in nineteenth-century France. Alison Finch's wide-ranging analysis of some sixty writers from Madame de Stael to Rachilde brings out the contribution of major figures such as George Sand as well as focusing on many other important but neglected writers. Her study opens up new perspectives on the interchange between male and female authors and illustrates the struggles of France's most brilliant women against an oppressive society. The book provides extensive reference features including bibliographical guides to texts and...

Floyd Gray explores how the treatment of controversial subjects in French Renaissance writing was affected by rhetorical conventions and the commercial requirements of an expanding publishing industry. Focusing on a wide range of discourses on gender issues--misogynist, feminist, autobiographical, homosexual and medical--Gray reveals the extent to which these marginalized texts reflect literary concerns rather than social reality. His new readings of Rabelais, Montaigne, Louise Labé and others, challenge the inherent anachronism of criticism that fails to take account of the cultural...

Michele Longino examines the ways in which Mediterranean exoticism alters the themes in French classical drama through the exploration of such plays by Corneille, Moliere and Racine as Le Cid, Medee, and Le bourgeois gentilhomme among others. She considers the role that the staging of the near Orient played in influencing French colonial identity. Drawing on histories, travel journals, memoirs and correspondence, Longino depicts these dramatizations in the context of French-Ottoman relations at the time of their production.

Janell Watson shows how the sudden prominence given to curiosities and collecting in nineteenth-century literature signals a massive change in attitudes to the world of goods, which in turn restructured the literary text according to the practical logic of daily life, calling into question established scholarly notions of order. She traces the phenomenon from Balzac, who introduced it to canonical literature, through Flaubert, Zola, Rachilde and Lorrain, to Proust. Her study makes an important contribution to the literary history of material culture.