A superb cerebral entertainment about three editors who cook up a hoax-involving the Templar Knights, Stonehenge, the Cabala, and Brazilian voodoo, among other things-that suddenly becomes all too real. Translated by William Weaver. A Helen and Kurt Wolff Book

In these impishly witty and ingeniously irreverent essays (Atlantic Monthly), the Andy Rooney of academia (Los Angeles Times) takes on computer jargon, librarians, bureaucrats, meals on airplanes, bad coffee, taxi drivers, 33-function watches, soccer fans, and more. Translated by William Weaver. A Helen and Kurt Wolff Book
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How do we know a cat is a cat? And why do we call it a cat? How much of our perception of things is based on cognitive ability, and how much on linguistic resources? Here, in six remarkable essays, Umberto Eco explores in depth questions of reality, perception, and experience. Basing his ideas on common sense, Eco shares a vast wealth of literary and historical knowledge, touching on issues that affect us every day. At once philosophical and amusing, Kant and the Platypus is a tour of the world of our senses, told by a master of knowing what is real and what is not.

Embracing the web of multiculturalism that has become a fact of contemporary life from New York to New Delhi, Eco argues that we are more connected to people of other traditions and customs than ever before, making tolerance the ultimate value in today's world. What good does war do in a world where the flow of goods, services, and information is unstoppable and the enemy is always behind the lines?
In the most personal of the essays, Eco recalls experiencing liberation from fascism in Italy as a boy, and examines the various historical forms of fascism, always with an eye toward such...

It is April 1204, and Constantinople, the splendid capital of the Byzantine Empire, is being sacked and burned by the knights of the Fourth Crusade. Amid the carnage and confusion, one Baudolino saves a historian and high court official from certain death at the hands of the crusading warriors and proceeds to tell his own fantastical story.
Born a simple peasant in northern Italy, Baudolino has two major gifts-a talent for learning languages and a skill in telling lies. When still a boy he meets a foreign commander in the woods, charming him with his quick wit and lively mind. The...

After a violent storm in the South Pacific in the year 1643, Roberto della Griva finds himself shipwrecked-on a ship. Swept from the Amaryllis, he has managed to pull himself aboard the Daphne, anchored in the bay of a beautiful island. The ship is fully provisioned, he discovers, but the crew is missing.
As Roberto explores the different cabinets in the hold, he remembers chapters from his youth: Ferrante, his imaginary evil brother; the siege of Casale, that meaningless chess move in the Thirty Years' War in which he lost his father and his illusions; and the lessons given him on...

In this collection of essays and addresses delivered over the course of his illustrious career, Umberto Eco seeks "to understand the chemistry of his] passion" for the word. From musings on Ptolemy and "the force of the false" to reflections on the experimental writing of Borges and Joyce, Eco's luminous intelligence and encyclopedic knowledge are on dazzling display throughout. And when he reveals his own ambitions and superstitions, his authorial anxieties and fears, one feels like a secret sharer in the garden of literature to which he so often alludes.
Remarkably accessible and...

Satirical essays in which Eco pokes fun at the oversophisticated, the overacademic, and the overintellectual and makes penetrating comments about our modern mass culture and the elitist avant-garde. A scintillating collection of writings (Los Angeles Times). Translated by William Weaver. A Helen and Kurt Wolff Book
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Eco displays in these essays the same wit, learning, and lively intelligence that delighted readers of The Name of the Rose and Foucault s Pendulum. His range is wide, and his insights are acute, frequently ironic, and often downright funny. Translated by William Weaver. A Helen and Kurt Wolff Book
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With playfulness and a large dose of wit, Robert Merton traces the origin of Newton's aphorism, "If I have seen farther, it is by standing on the shoulders of giants." Using as a model the discursive and digressive style of Sterne's "Tristram Shandy," Merton presents a whimsical yet scholarly work which deals with the questions of creativity, tradition, plagiarism, the transmission of knowledge, and the concept of progress.
"This book is the delightful apotheosis of donmanship: Merton parodies scholarliness while being faultlessly scholarly; he scourges pedantry while brandishing his own...