Theatre History Studies, currently edited by Rhona Justice-Malloy, is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of...
Theatre History Studies, currently edited by Rhona Justice-Malloy, is a peer-reviewed journal of theatre history and scholarship published annu...
Volume 33 of Theatre History Studies explores war. War is a paradoxhorrifying and compelling, galvanizing and devastating, a phenomenon that separates and decimates while at the same time creating and strengthening national identity and community bonds. War is the stuff of great drama. War and theatre is a subject of increasing popularity among scholars of theatre. The essays in this special edition of Theatre History Studies brings together a unique collection of work by thirteen innovative scholars whose work explores such topics as theatre performances during war times,...
Volume 33 of Theatre History Studies explores war. War is a paradoxhorrifying and compelling, galvanizing and devastating, a phenomenon that se...
Volume 34 of Theatre History Studies revisits the foundations of theatre, explores the boundaries and definitions of theatre, and illuminates how writing about the history of theatre is itself a form of historiography. The five essays are arranged chronologically, starting with Alan Sikes s discussion of the Abydos Passion Play. Sikes challenges the long-held interpretation of that ritualized annual reenactment of the death, dismemberment, and return to life of Egyptian god-king Osiris as the world s first recorded dramatic production. In analyzing the Passion Play Sikes argues the...
Volume 34 of Theatre History Studies revisits the foundations of theatre, explores the boundaries and definitions of theatre, and illuminates h...
Essays in part one of Theatre History Studies, Vol. 35 address theatrical production in very specific historical contexts, among them German theatre from the rubble of Berlin and German nationalist mass spectacles. Essays in part two are devoted to the theme of Rethinking the Maternal in contemporary and historical theatre. Also included is the Robert A. Schanke Award-winning essay Whispers from a Silent Past: Inspiration and Memory in Natasha Tretheway s Native Guard, a keynote essay by Irma Mayorga, and eighteen reviews of new book publications of note. Theatre History...
Essays in part one of Theatre History Studies, Vol. 35 address theatrical production in very specific historical contexts, among them German th...
A peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference.Theatre History Studies is devoted to research in all areas of theatre studies, with special interest in archival research, historical documentation, and historiography. Many issues feature a special section curated around a special theme or topic; for 2017 that special section focus on histories of new writing for the theatre. Featured in THEATRE HISTORY STUDIES 2017, VOLUME 36
"Resisting Arlecchino's Mask: The Case...
A peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference.Theatre...