Theatre Culture in America, 1825-1860 examines how Americans staged their cultures in the decades before the Civil War, and advances the idea that cultures are performances that take place both inside and outside of playhouses. Americans imaginatively expanded conventional ideas of performance as an activity restricted to theatres in order to take up the staging of culture in other venues: in issues of class, race, and gender, in parades and the visits of dignitaries, in rioting and the denomination of prostitutes, and in views of the town, the city, and the frontier. Joining up-to-date...

Theatre Culture in America, 1825-1860 advances the idea that cultures are performances that take place both inside and outside of playhouses. Americans imaginatively expanded conventional ideas of performance as an activity restricted to theaters in order to take up the staging of culture in other venues--in issues of class, race, and gender, in parades and the visits of dignitaries, in rioting and the denomination of prostitutes, and in the views of the town, the city, and the frontier. Joining up-to-date historical research with a firm and clear-headed grasp of contemporary critical theory,...

Volume 33 of Theatre History Studies explores war. War is a paradoxhorrifying and compelling, galvanizing and devastating, a phenomenon that separates and decimates while at the same time creating and strengthening national identity and community bonds. War is the stuff of great drama.
War and theatre is a subject of increasing popularity among scholars of theatre. The essays in this special edition of Theatre History Studies brings together a unique collection of work by thirteen innovative scholars whose work explores such topics as theatre performances during war times,...