Revised and updated. This is 3 novels in 1. Over 345,000 words. A fictional account of the end of the world after an Electro Magnetic Pulse Bomb (EMP) hits America and takes out the entire electrical grid. Americans fall into chaos, and survival of the fittest is the only way to turn. Three different group try to survive the collapse of America.
Revised and updated. This is 3 novels in 1. Over 345,000 words. A fictional account of the end of the world after an Electro Magnetic Pulse Bomb (EMP)...
Public Theatres and Theatre Publics presents sixteen focused investigations that connect theatre and performance studies with public sphere theory. The organizing critical lens of publics and publicness allows for the chapters to speak to one another other across time periods and geographies, inviting readers to think about how performing in public shapes and circulates concepts of identity, notions of taste or belonging, markers of class, and possibilities for political agency. Each essay presents a theorized case study that grapples with fundamental questions of how individuals perform in...
Public Theatres and Theatre Publics presents sixteen focused investigations that connect theatre and performance studies with public sphere theory. Th...
America once a thriving and prosperous nation, now an empty decaying wasteland-everything changed in the blink of an eye. In Grid Down Reality Bites, a high-altitude nuclear blast causing an EMP (electrical magnetic pulse) destroys the power grid, catapulting life as they knew it, back to the 1800's. The saga continues in Grid Down Perceptions of Reality (volume 2, part 1), as Amy, Preston, Michael, Joe, and Jane desperately struggle to survive the chaos that ensues. Now a post-apocalyptic world, they must rely on their primal instincts to escape destruction, disease and death. In response to...
America once a thriving and prosperous nation, now an empty decaying wasteland-everything changed in the blink of an eye. In Grid Down Reality Bites, ...
This is a story about a scientist that created the world's most deadly and contagious bio weapon known to man. It released from the lab with a little help and spreads around the world like wildfire. The infected become like enraged beasts and attacks everyone in sight. These infected, enraged beasts soon out number the survivors. A small group of people struggle to survive in a world gone mad. Is this the end of the human race? This is not a story of the undead rising. This is a story of humans being driven mad with a thirst for blood. This is a real live Zombie Apocalypse.
This is a story about a scientist that created the world's most deadly and contagious bio weapon known to man. It released from the lab with a little ...
Essays in part one of Theatre History Studies, Vol. 35 address theatrical production in very specific historical contexts, among them German theatre from the rubble of Berlin and German nationalist mass spectacles. Essays in part two are devoted to the theme of Rethinking the Maternal in contemporary and historical theatre. Also included is the Robert A. Schanke Award-winning essay Whispers from a Silent Past: Inspiration and Memory in Natasha Tretheway s Native Guard, a keynote essay by Irma Mayorga, and eighteen reviews of new book publications of note. Theatre History...
Essays in part one of Theatre History Studies, Vol. 35 address theatrical production in very specific historical contexts, among them German th...
A peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference.Theatre History Studies is devoted to research in all areas of theatre studies, with special interest in archival research, historical documentation, and historiography. Many issues feature a special section curated around a special theme or topic; for 2017 that special section focus on histories of new writing for the theatre. Featured in THEATRE HISTORY STUDIES 2017, VOLUME 36
"Resisting Arlecchino's Mask: The Case...
A peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference.Theatre...