Originally published in 1965, The Writer and the People was one of the key books in the revitalization and invigoration of the young Left in late-1960s Italy. Aiming to demystify the myth of populism, Alberto Asor Rosa takes on Marxism and its legacy, the relationship between Fascism and the Left, the prospects for militant anti-Fascism, and more. He does so through detailed reconstructions, analyses, and critiques of some of the central figures of modern Italian literature, including Giovanni Verga, Carlo Casola, Antonio Gramsci, and Pier Paolo Pasolini. Translated into English for...

Originally published in Italian in 1965, A Test of Powers was immediately seen as one of the central texts of Italian intellectual life. By the time of the 1968 student revolts, it was clear that Franco Fortini had anticipated many of the themes and concerns of the New Left, which is no surprise, given that Fortini had spent more than two decades immersed in fierce ideological debates over anti-Fascism, organizing, the alliance between progressivism and literature, and other topics that found their way into A Test of Powers. In addition to politically focused essays, the book...

Today, we believe that the map is a copy of the Earth, without realizing that the opposite is true: in our culture the Earth has assumed the form of a map. In Blinding Polyphemus, Franco Farinelli elucidates the philosophical correlation between cultural evolution and shifting cartographies of modern society, giving readers an interdisciplinary study that attempts to understand and redefine the fundamental structures of cartography, architecture, and the notion of "space."

Following the lessons of nineteenth-century critical German geography, this is a manual of geography without...

In 1936, Walter Benjamin defined the revolutionary class as being in opposition to a dense and dangerous crowd, prone to fear of the foreign, and under the spell of anti-Semitic madness. Today, in formations great or small, that sad figure returns--the hatred of minorities is rekindled and the pied-pipers of the crowd stand triumphant.

Class, by Andrea Cavalletti, is a striking montage of diverse materials--Marx and Jules Verne, Benjamin and Gabriel Tarde. In it, Cavalletti asks whether the untimely concept of class is once again thinkable. Faced with new pogroms and state racism,...

We are surrounded by images, fairly drowning in them. From our cell phones to our computers, from our televisions at home to the screens that light up while we wait in the grocery store checkout line, images of all kinds are seducing us, commanding us to buy , scaring us, dazzling us.

Fear, Reverence, Terror invites us to look at images slowly, with the help of a few examples: Picasso's Guernica, the "Lord Kitchener Wants You" World War I recruitment poster, Jacques-Louis David's Marat, the frontispiece of Thomas Hobbes's Leviathan, a cup of gilded...

When Life in Peactime opens, on May 29, 2015, engineer Ivo Brandani is sixty-nine years old. He's disillusioned and angry--but morbidly attached to life. As he makes a day-long trip home from his job in Sharm el Sheik reconstructing the coral reefs of the Red Sea using synthetics, he reflects on both the brief time he sees remaining ahead and on everything that has happened already in his life to which he can never quite resign himself. We see his slow bureaucratic trudge as a civil servant, long summer vacations on a Greek island, his twisted relationship with his first boss, the...

A powerful examination of the torture that is solitary confinement.