Director John Woo (b. 1946) reinvented the modern action movie and helped open the door for Asian filmmakers to the Western world. His hyper-violent, highly choreographed style made him a box office powerhouse, a respected auteur, and a revered figure among fellow directors.

First discovered by Western audiences through his Hong Kong films The Killer and Hard Boiled, Woo introduced the world to a new brand of psychologically frenzied action film. After coming to the United States in the early 1990s, Woo produced a trilogy of hard-charging action films--Broken...

Woody Allen (b. 1935) is one of America's most idiosyncratic filmmakers, with an unparalleled output of nearly one film every year for over three decades. His movies are filled with rapid-fire one-liners, neurotic characters, anguished relationships, and old-time jazz music. Allen's vision of New York--whether in comedies or dramas--has shaped our perception of the city more than any other modern filmmaker. -On the screen, - John Lahr wrote in the New Yorker in 1996, -Allen is a loser who makes much of his inadequacy; off-screen, he has created over the years the most wide-ranging oeuvre...

Roman Polanski (b. 1933) arrived on the international scene in 1962 with his first feature film, Knife in the Water, and his face would be on the cover of Time magazine by the end of that year. His vibrant, disturbing, and often violent films--including the psychological thriller Rosemary's Baby, the film noir classic Chinatown, and the somber Holocaust drama The Pianist--have entertained and sometimes infuriated audiences. Stylistically unsettling and thematically varied, Polanski's films have established him as one of the most talented and controversial...

Liv Ullmann (b. 1938) has played many roles over the course of her long life: actress, mother, activist, author, and director. Her lead performances in such Ingmar Bergman classics as Persona, Scenes from a Marriage, and Cries and Whispers kept her in close proximity to crafts involved in screenwriting, film direction, and production. In 1992, Ullmann directed her first film Sofie and, with the quick succession of such recent masterpieces as Private Confessions, Kristin Lavransdatter, and Faithless, Ullmann has emerged as one of the most...

Howard Hawks (1896-1977) is one of America's great film directors. During a career that spanned fifty years and produced more than forty films, this writer, producer, and director made highly successful movies and managed to maintain remarkable artistic control during a time when studio moguls usually ruled. Hawks conquered virtually every genre, including action/adventure, comedy, western, film noir, gangster, science fiction, and musical films.

The remarkable diversity of his work may have kept Hawks from being as easily recognized as his contemporaries Alfred Hitchcock and John Ford....

Joel and Ethan Coen (b. 1954, 1957) started their careers in obscurity on a shoestring budget cajoled from family and friends in Minneapolis. Working entirely outside the studio system, the Coen brothers scored an unlikely first success in 1984 with their postmodern noir film Blood Simple. Two decades and nearly a dozen movies later, the Coens are now among the best-known writer/directors in Hollywood, turning out major studio releases featuring such stars as George Clooney, Catherine Zeta-Jones, and Tom Hanks.

The Coens' films all share a distinctive, quirky ambience that...

With his trademark porkpie hat, floppy shoes, and deadpan facial expression, Buster Keaton (1895-1966) is one of the most iconic stars of Hollywood's silent and early sound eras. His elaborate sets, careful camerawork, and risky pratfalls have been mimicked by film comedians for generations. His short films, including One Week and Cops, and his feature-length comedies, such as Sherlock Jr., Go West, and The General, routinely appear on critics' lists of the greatest films of all time.

Buster Keaton: Interviews collects interviews from the...

Four-time winner at the Cannes Film Festival, Canadian filmmaker Atom Egoyan (b. 1960) began his career while still an undergraduate at the University of Toronto. His first love was playwriting, but he began to see that he could investigate themes emotionally through film- that the camera could play a role. He learned his craft in his own independent films and by directing television episodes before attempting his first feature film, Next of Kin (1984). There he explored the themes of family and identity that continue to interest him today.

A frequent winner at film festivals,...

One of Canada's premier cinematic exports, Guy Maddin (b. 1956) is an award-winning filmmaker with a rising reputation. Known for his autobiographical tales---hidden deeply within comical, absurd, and surrealistic narratives---Maddin has earned international acclaim, including a lifetime achievement award at the Telluride Film Festival at the age of thirty-nine.

Possessing a deep knowledge of silent cinema, modernist artists, and novelists, Maddin's seemingly amateurish visual style and unusual subjects (patriphagia in The Dead Father, incest in Careful) obscure the...