Ardis Butterfield examines the relationship between the poetry and music of medieval France. Beginning when French song was first set into writing in the early thirteenth century, Butterfield describes the wide range of contexts in which secular songs were quoted and copied. Including narrative romances, satires and love poems, the book reveals the development of French song and narrative genres during a significant period of history.

This book provides a comprehensive account of Old Icelandic literature within its social context. An international team of specialists examines the ways in which the unique medieval social experiment in Iceland, a kingless society without an established authority structure, inspired a wealth of innovative writing composed in the Icelandic vernacular. The book shows how Icelanders explored their uniqueness through poetry, mythologies, metrical treatises, religious writing, and through saga, a new genre that textualized their history and incorporated oral traditions in a written form.

This book analyzes key twelfth-century Latin and vernacular texts that articulate a subjective autobiographical stance. The reader is led into a complex maze of paths, through intellectually daunting issues such as the relation of subject to object, self to body, body to text and text to language. The contention is that the self forged in medieval literature could not have come into existence without the gap between Latinity and the vernacular and the shift in perspective in the twelfth century toward a visual and spatial orientation.

This comparative study examines Floire and Blancheflor and shows how medieval writers from Spain, France, Italy, England, and Scandinavia reworked this story from the twelfth through the sixteenth centuries to develop and emphasize social, political, religious and artistic goals. It shows the influence of a little-known medieval Spanish version, especially as a precursor to Boccaccio's Il Filocolo, and examines important issues of the development of prose fiction in medieval and Renaissance Europe.

This book is a study of Chaucer's words. It describes how these words became evidence for calling Chaucer the "father of English poetry" but, also, why that label is wrong. It shows that Chaucer's language is, in fact, traditional and argues that his linguistic innovation was as much performance as fact. It provides a thorough history of every one of Chaucer's words and maps the origins and patterns of use that have made these words so compelling for six hundred years.

The fifty-plus manuscripts of Piers Plowman have always posed a puzzle to scholars. This book is an account of the editions of the poem that have appeared since 1550, when it was first published by the protestant reformer Robert Crowley. It examines the circumstances in which the editions were produced, the lives and intellectual motivations of the editors, and the relationship between one edition and the next. It uses a wide range of published and unpublished material to shed light on attempts to crack one of the major editorial conundrums in medieval studies.

This book investigates how late medieval English writers who translated specialized academic knowledge from Latin into English often projected unprecedented sorts of lay audiences for their writing, and worried about the potential results of making the information they presented more widely available. The well-known concerns with clerical corruption and lay education of authors such as Langland, Trevisa, and Wyclif are linked to those of more obscure writers in both Latin and English, some only recently edited, or only extant in manuscript.

This book offers new insights into the rich and varied Dutch literature of the Middle Ages. Sixteen essays written by top scholars consider this literature in the context of the social, historical and cultural developments of the period in which it took shape. The collection includes studies of the most representative authors, genres and works of the time. A comparative chronological survey provides an overview of the main cultural, historical and literary events in Europe and the Netherlands between 1150 and 1500, and the bibliography lists English translations of medieval Dutch texts...

This book first appeared in German in 1985, and set a new agenda for the study of medieval literary theory. While Haug focuses primarily on medieval German writers, the principles underlying his argument are equally relevant to medieval literature in English or any other European language. This ground-breaking study is now available in English for the first time.

This is the first literary study of the career of Richard Rolle (d. 1349), a Yorkshire hermit and mystic who was one of the most widely-read English writers of the late Middle Ages. Nicholas Watson proposes a new chronology of Rolle's writings, and offers the first literary analyses of a number of his works. He shows how Rolle's career, as a writer of passionate religious works in Latin and later in English, has as its principal focus the establishment of his own spiritual authority. The book also addresses wider issues, suggesting a new way of looking at mystical writing in general, and...