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In this study, the scientific principles of learning and brain functions are applied to the God Experience. The author skillfully blends modern neurophysiology with critical behavioral psychology to offer an objective explanation for why people believe in God. This provocative and scholarly work will interest psychologists, neuroscientists, clergy, and anyone studying mystical experience.

Photography is not dying and has not died. It has been an ever-changing medium since its earliest days, and while near-obsession with the technology of the day may have defined photography over the course of its existence, photography is so much more than hardware and software. Photography is communication, whether chemical or digital, tangible or ephemeral in form.

Photography Beyond Technique is a compelling selection of essays and images that reveal the thoughts and methods of some of today's most exciting contemporary photographers. These artists employ...

William Teale is a brilliant professor of mathematics. His theory of inevitability posits that any human action, no matter how insignificant, might result in a disproportionately huge calamity.

His wife, Virginia "Faye" Warner, is a world-famous romance novelist who specializes in reuniting soul mates after a tragic and prolonged separation. According to her math, "one past and two hearts plus one love equals four-ever." The Teale-Warner marriage is a thing of geometric and artistic perfection, a melding of the heart...

William Teale is a brilliant professor of mathematics. His theory of inevitability posits that any human action, no matter how insignificant, might result in a disproportionately huge calamity.

His wife, Virginia "Faye" Warner, is a world-famous romance novelist who specializes in reuniting soul mates after a tragic and prolonged separation. According to her math, "one past and two hearts plus one love equals four-ever." The Teale-Warner marriage is a thing of geometric and artistic perfection, a melding of the...

What is socially engaged art history? Art history is typically understood as a discipline in which academics produce scholarship for consumption by other academics. Today however, an increasing number of art historians are seeking to broaden their understanding of art historical praxis and look beyond the academy and towards socially engaged art history. This is the first book-length study to focus on these growing and significant trends. It presents various arguments for the social, pedagogical, and scholarly benefits of alternative, community-engaged, public-facing, applied, and socially...