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In this wide-ranging book, renowned philosopher and cultural theorist Peter Sloterdijk examines art in all its rich and varied forms: from music to architecture, light to movement, and design to typography. Moving between the visible and the invisible, the audible and the inaudible, his analyses span the centuries, from ancient civilizations to contemporary Hollywood. With great verve and insight he considers the key issues that have faced thinkers from Aristotle to Adorno, looking at art in its relation to ethics, metaphysics, society, politics, anthropology and the subject.

Für gewöhnlich wird über Religion unter theologischen, historischen oder politischen Gesichtspunkten nachgedacht. Darüber gerät in Vergessenheit, dass Götter den Gläubigen stets vermittelt begegnen - in Texten oder durch Medien. Dichter legen ihnen Metaphern in den Mund; Priester inszenieren effektvoll Rituale; Konfessionen werden auch über ästhetische Verfahren konstituiert. Religionen sind immer auch literarische Produkte, mit deren Hilfe die Autoren um Klienten auf dem engen Markt der Aufmerksamkeit konkurrieren.

In Die Götter zum Sprechen bringen...

In this brief but illuminating text, Sloterdijk offers a series of recontextualizations of Derrida's work by exploring the connections between Derrida and...

In this short book Peter Sloterdijk offers a genealogy of the concept of freedom from Ancient Greece to the present day. This genealogy is part of a broader theory of the large political body, according to which Sloterdijk argues that political communities arise in response to a form of anxiety or stress. Through a highly original reading of Rousseau's late Reveries of a Solitary Walker, Sloterdijk shows that, for Rousseau, the modern subject emerges as a subject free of all stress, unburdened by the cares of the world. Most of modern philosophy, and above all German Idealism, is an...

One can rightly say of Peter Sloterdijk that each of his essays and lectures is also an unwritten book. That is why the texts presented here, which sketch a philosophical physiognomy of Martin Heidegger, should also be characterized as a collected renunciation of exhaustiveness.

In order to situate Heidegger's thought in the history of ideas and problems, Peter Sloterdijk approaches Heidegger's work with questions such as: If Western philosophy emerged from the spirit of the polis, what are we to make of the philosophical suitability of a man who never made a secret of his stubborn...

Sloterdijk begins with Plato's...