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What is it like to make television comedy? How do writers get their ideas made, and how do commissioners and producers decide what to make? How do members of the comedy industry work with large broadcasters and production companies, and what does it mean to be creative and stay creative?

Drawing on interviews with many key writers such as Sam Bain, Paul Doolan, Graham Linehan, David Mitchell, Simon Nye and Sue Teddern, producers including Ash Atalla, Lisa Clark, Michelle Farr, Ali McPhail, Jon Plowman and Adam Tandy, and commissioners, the BBC s Shane Allen, Channel 4 s...

This volume explores the political geographies of children and young people and aims to cement this research area within human geography and beyond. Indeed, thepolicies that specifically target young individuals and groups, and the politicsin the everyday lives of children and youth across all scalar dimensions deserve broad attention. The book is structured in four sections with specific focus on the spatialities of the rights of the child, children and young people s agency in politics, youthful practice as political resistance, and active youth citizenship. In the 28...

This book covers the essentials of modality and offers both foundational ideas and cutting edge advances. The book consists of what are essentially tutorials on modality and modal notions, covering definitions of modality, morphosyntactic form, conceptual and logical semantics, historical development, and acquisition. There are also specific chapters on modality in Zapotec and American Sign Language, which show the range of forms that modal notions can take. To assist its tutorial function, the book closes with a comprehensive conceptual outline of all the chapters.