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In many works by modern British women writers, two women form a strong bond only to have that relationship stymied, paralyzed or interrupted. A female character, fearing discovery of covert lesbian desires, lashes out at another woman, resulting in emotional or physical harm to herself or others. Patricia Smith defines this narrative as lesbian panic. What happens when a character or an author is unwilling to confront or reveal her own lesbianism or lesbian desire? For Smith, lesbian panic is often a fear of losing one's identity and value within the heterosexual paradigm.

The Queer Sixties assembles an impressive group of cultural critics to go against the grain of 1960s studies, and proposes new and different ways of the last decade before the closet doors swung open. Imbued with the zeitgeist of the 60s, this playful and powerful collection rescues the persistence of the queer imaginary.

From experiments in language and identity to innovations in the novel, the short story and life narratives, the contributors discuss the ways in which Bowen's work straddles, informs and defies the existing definitions of modernist and postmodernist literature which dominate twentieth-century writing. The eleven chapters present new scholarship on Bowen's inventiveness and unique writing style and its attachment to objects, covering topics such as queer adolescents, housekeeping, female fetishism, habit and new technologies such as the telephone.

This study examines the relationship between Catholicism and homosexuality and between historical homophobia and contemporary struggles between the Church and the homosexual? Moving from the Gothic to the late Twentieth-century, from Europe to America, it interrogates what is queer about Catholicism and what is modern about homosexuality.