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Designed for classroom use, this authoritative anthology presents key selections from the best contemporary work in philosophy of film.

• The featured essays have been specially chosen for their clarity, philosophical depth, and consonance with the current move towards cognitive film theory
• Eight sections with introductions cover topics such as the nature of film, film as art, documentary cinema, narration and emotion in film, film criticism, and film's relation to knowledge and morality
• Issues addressed include the objectivity of documentary films, fear...

Designed for classroom use, this authoritative anthology presents key selections from the best contemporary work in philosophy of film.

• The featured essays have been specially chosen for their clarity, philosophical depth, and consonance with the current move towards cognitive film theory
• Eight sections with introductions cover topics such as the nature of film, film as art, documentary cinema, narration and emotion in film, film criticism, and film's relation to knowledge and morality
• Issues addressed include the objectivity of documentary films, fear...

In Comedy Incarnate, Noel Carroll surveys the characteristics of Buster Keaton's unique visual style, to reveal the distinctive experience of watching Keaton's films.

• Bold and provocative thesis written by one of America's foremost film theorists
• Takes a unique look at the philosophies behind Keaton's style
• Weighs visual elements over narrative form in the analysis of the Keaton's work
• Provides a fresh vantage point for analysis of film and comedy itself

Beyond Aesthetics brings together philosophical essays addressing art and related issues by one of the foremost philosophers of art at work today. Countering conventional aesthetic theories--those maintaining that authorial intention, art history, morality and emotional responses are irrelevant to the experience of art--Noel Carroll argues for a more pluralistic and commonsensical view in which all of these factors can play a legitimate role in our encounter with art works. The book explores works of high culture and the avant-garde, as well as works of popular culture, jokes, horror novels,...

Philosophy of Art is a textbook for undergraduate students interested in the topic of philosophical aesthetics.
It introduces the techniques of analytic philosophy as well as key topics such as the representational theory of art, formalism, neo-formalism, aesthetic theories of art, neo-Wittgensteinism, the Institutional Theory of Art. as well as historical approaches to the nature of art.
Throughout, abstract philosophical theories are illustrated by examples of both traditional and contemporary art including frequent reference to the avant-garde in this way enriching the...

Utilizing a series of essays examining the broad philosophical concepts embedded in Rod Serling's series, The Twilight Zone, Philosophy in The Twilight Zone provides a platform for further philosophical discussion.

• Features essays by eminent contemporary philosophers concerning the over-arching themes in The Twilight Zone, as well as in-depth discussions of particular episodes
• Fuses popular cult entertainment with classical philosophical perspectives
• Acts as a guide to unearthing larger questions - from human nature to the...

Philosophy of Motion Pictures is a first-of-its-kind, bottom-up introduction to this bourgeoning field of study. Topics include film as art, medium specificity, defining motion pictures, representation, editing, narrative, emotion and evaluation.

• Clearly written and supported with a wealth of examples
  
• Explores characterizations of key elements of motion pictures -the shot, the sequence, the erotetic narrative, and its modes of affective address

How can we be genuinely frightened of vampires, though we know they don't exist? How is it that people find pleasure in being scared out of their wits? Carroll presents the first philosophical and aesthetic analysis of the horror genre.

Philosophy of Motion Pictures is a first-of-its-kind, bottom-up introduction to this bourgeoning field of study. Topics include film as art, medium specificity, defining motion pictures, representation, editing, narrative, emotion and evaluation.

• Clearly written and supported with a wealth of examples
  
• Explores characterizations of key elements of motion pictures -the shot, the sequence, the erotetic narrative, and its modes of affective address

In Comedy Incarnate, Noel Carroll surveys the characteristics of Buster Keaton's unique visual style, to reveal the distinctive experience of watching Keaton's films.

• Bold and provocative thesis written by one of America's foremost film theorists
• Takes a unique look at the philosophies behind Keaton's style
• Weighs visual elements over narrative form in the analysis of the Keaton's work
• Provides a fresh vantage point for analysis of film and comedy itself

Minerva's Night Out presents series of essays by noted philosopher and motion picture and media theorist Noel Carroll that explore issues at the intersection of philosophy, motion pictures, and popular culture.

• Presents a wide-ranging series of essays that reflect on philosophical issues relating to modern film and popular culture
• Authored by one of the best known philosophers dealing with film and popular culture
• Written in an accessible manner to appeal to students and scholars
• Coverage ranges from the philosophy of Halloween...

What is art? The contributors to Theories of Art Today address the assertion that the term art no longer holds meaning. They explore a variety of issues including: aesthetic and institutional theories of art, feminist perspectives on the philosophy of art, the question of whether art is a cluster concept, and the relevance of tribal art to philosophical aesthetics. Contributors to this book include such distinguished philosophers and historians as Arthur Danto, Joseph Margolis, and George Dickie.

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Noel Carroll, film scholar and philosopher, offers the first serious look at the aesthetics of horror. In this book he discusses the nature and narrative structures of the genre, dealing with horror as a "transmedia" phenomenon. A fan and serious student of the horror genre, Carroll brings to bear his comprehensive knowledge of obscure and forgotten works, as well as of the horror masterpieces. Working from a philosophical perspective, he tries to account for how people can find pleasure in having their wits scared out of them. What, after all, are those "paradoxes of the heart" that make us...

We live in a world surrounded by mass art. Movies, TV, pulp literature, comics, rock music--both broadcast and recorded--surround us everywhere. Yet despite the fact that for the majority of people mass art supplies the primary source of aesthetic experience, the area has been neglected entirely by analytical philosophers of art.
In this pathbreaking new book, a leading philosopher of art provides an accessible and wide-ranging look at the topic. Noel Carroll shows why philosophers have previously resisted and/or misunderstood mass art and he develops frameworks for understanding the...

In a recent poll of practicing art critics, 75 percent reported that rendering judgments on artworks was the least significant aspect of their job. This is a troubling statistic for philosopher and critic Noel Carroll, who argues that that the proper task of the critic is not simply to describe, or to uncover hidden meanings or agendas, but instead to determine what is of value in art.

Carroll argues for a humanistic conception of criticism which focuses on what the artist has achieved by creating or performing the work. Whilst a good critic should not neglect to contextualize and...

Beyond Aesthetics brings together philosophical essays addressing art and related issues by one of the foremost philosophers of art at work today. Countering conventional aesthetic theories--those maintaining that authorial intention, art history, morality and emotional responses are irrelevant to the experience of art--Noel Carroll argues for a more pluralistic and commonsensical view in which all of these factors can play a legitimate role in our encounter with art works. The book explores works of high culture and the avant-garde, as well as works of popular culture, jokes, horror novels,...