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Humour is a universal feature of human life. It has been discovered in every known human culture, and thinkers have discussed it for over two thousand years. In this Very Short Introduction Noel Carroll considers the nature and value of humour: from its leading theories and its relation to emotion and cognition, to ethical questions of its morality and its significance in shaping society.
About the Series:
Oxford's Very Short Introductions series offers concise and original introductions to a wide range of subjects--from Islam to Sociology, Politics to Classics, Literary Theory to...

Designed for classroom use, this authoritative anthology presents key selections from the best contemporary work in philosophy of film.

• The featured essays have been specially chosen for their clarity, philosophical depth, and consonance with the current move towards cognitive film theory
• Eight sections with introductions cover topics such as the nature of film, film as art, documentary cinema, narration and emotion in film, film criticism, and film's relation to knowledge and morality
• Issues addressed include the objectivity of documentary films, fear...

Beyond Aesthetics brings together philosophical essays addressing art and related issues by one of the foremost philosophers of art at work today. Countering conventional aesthetic theories--those maintaining that authorial intention, art history, morality and emotional responses are irrelevant to the experience of art--Noel Carroll argues for a more pluralistic and commonsensical view in which all of these factors can play a legitimate role in our encounter with art works. The book explores works of high culture and the avant-garde, as well as works of popular culture, jokes, horror novels,...

In Comedy Incarnate, Noel Carroll surveys the characteristics of Buster Keaton's unique visual style, to reveal the distinctive experience of watching Keaton's films.

• Bold and provocative thesis written by one of America's foremost film theorists
• Takes a unique look at the philosophies behind Keaton's style
• Weighs visual elements over narrative form in the analysis of the Keaton's work
• Provides a fresh vantage point for analysis of film and comedy itself

Designed for classroom use, this authoritative anthology presents key selections from the best contemporary work in philosophy of film.

• The featured essays have been specially chosen for their clarity, philosophical depth, and consonance with the current move towards cognitive film theory
• Eight sections with introductions cover topics such as the nature of film, film as art, documentary cinema, narration and emotion in film, film criticism, and film's relation to knowledge and morality
• Issues addressed include the objectivity of documentary films, fear...

Art in Three Dimensions is a collection of essays by one of the most eminent figures in philosophy of art. The animating idea behind Noel Carroll's work is that philosophers of art should eschew the sort of aestheticism that often implicitly -- but sometimes explicitly, as in the case of aesthetic theories of art and of their commitments to the notion of the autonomy of art -- governs their methodology. Instead, Carroll argues that philosophers of art need to refocus their attention on the ways in which art enters the life of culture and the lives of individual audience members. The reference...

Philosophy of Motion Pictures is a first-of-its-kind, bottom-up introduction to this bourgeoning field of study. Topics include film as art, medium specificity, defining motion pictures, representation, editing, narrative, emotion and evaluation.

• Clearly written and supported with a wealth of examples
  
• Explores characterizations of key elements of motion pictures -the shot, the sequence, the erotetic narrative, and its modes of affective address

Beyond Aesthetics brings together philosophical essays addressing art and related issues by one of the foremost philosophers of art at work today. Countering conventional aesthetic theories--those maintaining that authorial intention, art history, morality and emotional responses are irrelevant to the experience of art--Noel Carroll argues for a more pluralistic and commonsensical view in which all of these factors can play a legitimate role in our encounter with art works. The book explores works of high culture and the avant-garde, as well as works of popular culture, jokes, horror novels,...

For Therese Elliott, nightmare has gone beyond dream to gruesome reality. She is desperate in her need to know, not only what triggered the dream but why she finds it so impossible to let it go. And why she knows with a fatal certainty that, if it is not quickly sorted out, the Atlantis with her astronaut husband aboard will be sent crashing into the International Space Station.

How can we be genuinely frightened of vampires, though we know they don't exist? How is it that people find pleasure in being scared out of their wits? Carroll presents the first philosophical and aesthetic analysis of the horror genre.

Art in Three Dimensions is a collection of essays by one of the most eminent figures in philosophy of art. The animating idea behind Noel Carroll's work is that philosophers of art should eschew the sort of aestheticism that often implicitly -- but sometimes explicitly, as in the case of aesthetic theories of art and of their commitments to the notion of the autonomy of art -- governs their methodology. Instead, Carroll argues that philosophers of art need to refocus their attention on the ways in which art enters the life of culture and the lives of individual audience members. The reference...

Utilizing a series of essays examining the broad philosophical concepts embedded in Rod Serling's series, The Twilight Zone, Philosophy in The Twilight Zone provides a platform for further philosophical discussion.

• Features essays by eminent contemporary philosophers concerning the over-arching themes in The Twilight Zone, as well as in-depth discussions of particular episodes
• Fuses popular cult entertainment with classical philosophical perspectives
• Acts as a guide to unearthing larger questions - from human nature to the...

Noel Carroll, film scholar and philosopher, offers the first serious look at the aesthetics of horror. In this book he discusses the nature and narrative structures of the genre, dealing with horror as a "transmedia" phenomenon. A fan and serious student of the horror genre, Carroll brings to bear his comprehensive knowledge of obscure and forgotten works, as well as of the horror masterpieces. Working from a philosophical perspective, he tries to account for how people can find pleasure in having their wits scared out of them. What, after all, are those "paradoxes of the heart" that make us...

In a recent poll of practicing art critics, 75 percent reported that rendering judgments on artworks was the least significant aspect of their job. This is a troubling statistic for philosopher and critic Noel Carroll, who argues that that the proper task of the critic is not simply to describe, or to uncover hidden meanings or agendas, but instead to determine what is of value in art.

Carroll argues for a humanistic conception of criticism which focuses on what the artist has achieved by creating or performing the work. Whilst a good critic should not neglect to contextualize and...

Minerva's Night Out presents series of essays by noted philosopher and motion picture and media theorist Noel Carroll that explore issues at the intersection of philosophy, motion pictures, and popular culture.

• Presents a wide-ranging series of essays that reflect on philosophical issues relating to modern film and popular culture
• Authored by one of the best known philosophers dealing with film and popular culture
• Written in an accessible manner to appeal to students and scholars
• Coverage ranges from the philosophy of Halloween...

Philosophy of Motion Pictures is a first-of-its-kind, bottom-up introduction to this bourgeoning field of study. Topics include film as art, medium specificity, defining motion pictures, representation, editing, narrative, emotion and evaluation.

• Clearly written and supported with a wealth of examples
  
• Explores characterizations of key elements of motion pictures -the shot, the sequence, the erotetic narrative, and its modes of affective address