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In this first English translation of one of his most important works, Michel Serres presents the statue as more than a static entity: for Serres it is the basis for knowledge, society, the subject and object, the world and experience. Serres demonstrates how sacrificial art founded and still persists in society and reflects on the centrality of death and the statufied dead body to the human condition.

Each section covers a different time period and statuary topic, ranging from four thousand years ago to 1986; from Baal, the paintings of Carpaccio, and the Eiffel Tower, to Rodin's...

In this highly original and provocative book, Michel Serres reflects on the relation between nature and culture and analyzes the origins of the world's contemporary environmental problems. He does so through the surprising proposition that our cleanliness is our dirt. While all living beings pollute to lay claim to their habitat, humans have multiplied pollution's effects catastrophically since the Industrial Revolution through the economic system's mode of appropriation and its emphasis on mindless growth. He warns that while we can measure what he calls "hard pollution"--the poisoning of...

Available for the first time in English
Winner of the Prix Medicis Essai

Marginalized by the scientific age with its metaphysical and philosophical systems, the lessons of the senses have been overtaken by the dominance of language and the information revolution.
Exploring the deleterious effects of the systematic downgrading of the senses in Western philosophy, Michel Serres -- a member of the Academie Francaise and one of France's leading philosophers -- traces a topology of human perception. Writing against the Cartesian tradition and in...

For Michel Serres, economic crises are earthquakes caused by societal tectonic plates. The current crisis erupted because of the widening discrepancy between major social changes and institutions that have remained the same since WWII.

Serres, one of the first to bring nature into the political, writes, "To destroy, kill, exploit is worthless. In the long run, it means destroying ourselves." At a time when the world population has grown so much that it is exhausting natural resources and the environment, we need to rethink cultural, social, and political dynamics. Serres argues that...

Influential philosopher Michel Serres's foundational work uses fable to explore how human relations are identical to that of the parasite to the host body. Among Serres's arguments is that by being pests, minor groups can become major players in public dialogue--creating diversity and complexity vital to human life and thought.

Michel Serres is professor in history of science at the Sorbonne, professor of Romance languages at Stanford University, and author of several books, including Genesis.

Lawrence R. Schehr is professor of French at the University of...

The first installment in Michel Serres classic 'Humanism' trilogy, this is an ambitious attempt to narrativize and explore what it means to be human. With his characteristic breadth of references including art, poetry, science, philosophy and literature, Serres paints a new picture of what it might mean to live meaningfully in contemporary society. He tells the story of humankind (from the beginning of time to the present moment) in an attempt to affirm his overriding thesis that man and nature have always been part of the same ongoing and unfolding narrative.

This crucial piece of...

Biogea is a mixture of poetry, philosophy, science, and biography exemplary of the style that has made Michel Serres one of the most extraordinary thinkers of his age. His philosophical and poetic inquiry sings in praise of earth and life, what he names singularly as Biogea. In these times when species are disappearing, when catastrophic events such as earthquakes and tsunamis impale the earth, Serres wonders if anyone "worries about the death pangs of the rivers." And for Serres, one can ask the same question of philosophy as the humanities increasingly find themselves in need of...