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The French colony of Saint-Domingue (now Haiti) was home to one of the richest public theatre traditions of the colonial-era Caribbean.  This book examines the relationship between public theatre and the enslaved people of Saint-Domingue—something that is generally given short shrift owing to a perceived lack of documentation.  Here, a range of materials and methodologies are used to explore pressing questions including the ‘mitigated spectatorship’ of the enslaved, portrayals of enslaved people in French and Creole repertoire, the contributions of enslaved people to...

Les Veuves créoles is the first play known to have been composed in Martinique. This three-act prose comedy was published anonymously in Paris in 1768 and was performed at least twice in the capital of Caribbean theatre, Saint-Domingue (now Haiti) during the colonial period.  Set in colonial Martinique in the port town of Saint-Pierre, Les Veuves créoles represents an early example of créole francophone drama.  Three créole widows are courted by the grasping and dishonest Fatincourt who, after six years on the island, is keen to marry...