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This critical discography of Wagner's "Tristan und Isolde" opens with an introduction that illustrates the challenges the opera poses to performers. The discography lists all complete recordings, all major selections, and hundreds of individually recorded vocal and instrumental excerpts from 1901 to 1999. Information was researched in major public collections and libraries in France, the United Kingdom, and the United States. Pirate recordings and fictitious conductors are identified, and an extensive list of arrangements from the opera, ranging from piano to jazz ensemble, and a list of...

Known primarily as a great painter, Bartolome Esteban Murillo (1617-1682) was also one of the best draftsmen of the 17th century. Although his devotional paintings seem to have been created effortlessly, they are the result of careful thought and study, a process that comes alive in the preparatory drawings. Murillo used a variety of techniques, favoring pen and ink and brown wash and red-and-black chalk. Like painters schooled in Italian Renaissance practice, the Spaniard developed his paintings in stages, starting with sketches of the full composition and then focusing on details that...

The first comprehensive discography on one of Wagner's music dramas, this volume lists all complete performance recordings, all major selections recorded, and hundreds of individually-recorded excerpts, both vocal, and instrumental, from the earliest acoustic recordings to recent laser discs. Many excerpts have never appeared in discographies or other works on Wagner, and pirate recordings have been identified. Precise information is given as to date and place of recording and record numbers as well as performers, choruses, orchestras, and conductors. Musical incipits introduce each...

Art historians have often minimized the variety and complexity of seventeenth-century Spanish painting by concentrating on individual artists and their works and by stressing discovery of new information rather than interpretation. As a consequence, the painter emerges in isolation from the forces that shaped his work. Jonathan Brown offers another approach to the subject by relating important Spanish Baroque paintings and painters to their cultural milieu.

A critical survey of the historiography of seventeenth-century Spanish painting introduces this two-part collection of...

The National Gallery's collection of Spanish paintings is distinguished by seven of El Greco's works from every period of his activity in Italy and Spain; Diego Velazquez' work on an intimate scale; Bartolome Esteban Murillo's images addressing both the sacred and profane; and seven of Francisco de Goya's incisive portraits of Spain's aristocratic and intellectual society. Also included are two panels by the Master of the Catholic Kings, which represent Hispano-Flemish painting of the late fifteenth century at its best.