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The author traces the development of the theme of Krishna as butter thief from its earliest appearance in literature and art until the present. He focuses on the dramas (ras lilas) of Krishna's native Braj and on the Sur Sagar, a collection of verse attributed to the sixteenth-century poet Sur Das that is as familiar to Hindi speakers as Mother Goose is to us.

Originally published in 1983.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University...

This book takes us back to the source, offering a selection of S?rd=as's poems that were known and sung in the sixteenth century itself. Here we have poems of war, poems to the great rivers, poems of wit and rage, poems where the poet spills out his disappointments. Most of all,...

India celebrates itself as a nation of unity in diversity, but where does that sense of unity come from? One important source is a widely-accepted narrative called the "bhakti movement." Bhakti is the religion of the heart, of song, of common participation, of inner peace, of anguished protest. The idea known as the bhakti movement asserts that between 600 and 1600 CE, poet-saints sang bhakti from India's southernmost tip to its northern Himalayan heights, laying the religious bedrock upon which the modern state of India would be built.

Challenging this canonical narrative, John...

Every year thousands of pilgrims travel to Brindavan, the village where Krishna is said to have lived as a child. There, they witness a series of religious dramas called ras lilas, whose central roles are performed by children. By translating four plays that collectively span this cycle, John Hawley provides a lively perspective on the mythology of Krishna as Hindus experience it today.

Originally published in 1981.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist...

Sur's Ocean: Poems from the Early Tradition was published in 2015 as the fifth volume of the Murty Classical Library of India. That book contains Kenneth Bryant's critical reconstructions of 433 poems of Surdas that circulated in the sixteenth century, when this great Hindi poet lived, and it includes facing-page, English verse translations by John Stratton Hawley. The name traditionally assigned to these poems is Sursagar, meaning Sur's Ocean.

Into Sūr's Ocean: Poetry, Context, and Commentary picks up many threads from that volume, and provides a...

By making every reader consider anew their religious thinking, the poems of Kabir seem as relevant today as when they were first written.

Surdas has been regarded as the epitome of artistry in Old Hindi religious poetry from the end of the sixteenth century, when he lived, to the present day. His fame rests upon his remarkable refashioning of the widely known narrative of the cowherd deity Krishna and his lover Radha into lyrics that are at once elegant and approachable. Surdas's popularity led to the proliferation, through an energetic oral tradition, of poems ascribed to him, known as the Sūrsāgar.

Sur's Ocean: Poems from the Early Tradition, presents a dramatically new edition in Devanagari...