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In this highly original study, Jeremy Braddock focuses on collective forms of modernist expression--the art collection, the anthology, and the archive--and their importance in the development of institutional and artistic culture in the United States.

Using extensive archival research, Braddock's study synthetically examines the overlooked practices of major American art collectors and literary editors: Albert Barnes, Alain Locke, Duncan Phillips, Alfred Kreymborg, Amy Lowell, Ezra Pound, Katherine Dreier, and Carl Van Vechten. He reveals the way collections were devised as both...

Sometimes treating...

In this highly original study, Jeremy Braddock focuses on collective forms of modernist expression--the art collection, the anthology, and the archive--and their importance in the development of institutional and artistic culture in the United States.

Using extensive archival research, Braddock's study synthetically examines the overlooked practices of major American art collectors and literary editors: Albert Barnes, Alain Locke, Duncan Phillips, Alfred Kreymborg, Amy Lowell, Ezra Pound, Katherine Dreier, and Carl Van Vechten. He reveals the way collections were devised as both...

Paris has always fascinated and welcomed writers. Throughout the twentieth and into the twenty-first century, writers of American, Caribbean, and African descent were no exception. Paris, Capital of the Black Atlantic considers the travels made to Paris--whether literally or imaginatively--by black writers. These collected essays explore the transatlantic circulation of ideas, texts, and objects to which such travels to Paris contributed.

Editors Jeremy Braddock and Jonathan P. Eburne expand upon an acclaimed special issue of the journal Modern Fiction Studies with...

Sometimes treating...