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The University of Chicago Press, in collaboration with Casa Ricordi, has undertaken to publish the first critical edition of the complete works of Giuseppe Verdi. The series, based exclusively on original sources, is the only one to present authentic versions of all of the composer's works; together with his operas, the critical edition presents his songs, his choral music and sacred pieces, and his string quartet and other instrumental...

The University of Chicago Press, in collaboration with Casa Ricordi, has undertaken to publish the first critical edition of the complete works of Giuseppe Verdi. The series, based exclusively on original sources, is the only one to present authentic versions of all of the composer's works; together with his operas, the critical edition presents his songs, his choral music and sacred pieces, and his string quartet and other instrumental...

"Luisa Miller," a milestone in the maturation of Verdi's style, is the fifth work to be published in "The Works of Giuseppe Verdi." Following the strict requirements of the series, this edition is based on Verdi's autograph and other authentic sources, and has been reviewed by a distinguished editorial board--Philip Gossett (general editor), Julian Budden, Martin Chusid, Francesco Degrada, Ursula Gunter, Giorgio Pestelli, and Pierluigi Petrobelli. It is available as a two-volume set: a full orchestral score and a critical commentary. The newly set score is printed on acid-free paper and...

This edition of Messa da Requiem is based on Verdi's autograph score and other original sources. The appendices include two pieces from the compositional history of the Requiem an early version of the Libera me, composed in 1869 as part of a collaborative work planned as a memorial to Rossini; and the Liber scriptus, which in the...

Verdi's operas are most often represented in the concert hall today by their overtures or 'sinfonias' with very good reason. A number of them are symphonic gems in their own right. The operas he composed for the Paris stage give us another view of his orchestral virtuosity with their sumptuous ballet scores. The Ballet de la Reine (La Peregrina) was given its premiere with the world premiere of the opera Don Carlos itself in Paris by the ThEAtre ImpErial de l'OpEra in the Salle Le Peletier in March 11, 1867 under the baton of FranCois George-Hainl. The ballet, which was...