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The University of Chicago Press, in collaboration with Casa Ricordi, has undertaken to publish the first critical edition of the complete works of Giuseppe Verdi. The series, based exclusively on original sources, is the only one to present authentic versions of all of the composer's works; together with his operas, the critical edition presents his songs, his choral music and sacred pieces, and his string quartet and other instrumental...

Verdi's Attila, his ninth opera, had its premiere at Venice's Teatro La Fenice in March 1846. Based on the German play Attila, King of the Huns, the libretto has its own storied history: as Verdi fell seriously ill before the work's completion, the main librettist moved permanently to Madrid, leaving the last act of Attila only a sketch. It was then that Verdi called upon Francesco Maria Piave, the librettist for two of his earlier works, who at the composer's behest scratched plans for a large choral finale and decided instead to concentrate on the dramatic roles of...

"Luisa Miller," a milestone in the maturation of Verdi's style, is the fifth work to be published in "The Works of Giuseppe Verdi." Following the strict requirements of the series, this edition is based on Verdi's autograph and other authentic sources, and has been reviewed by a distinguished editorial board--Philip Gossett (general editor), Julian Budden, Martin Chusid, Francesco Degrada, Ursula Gunter, Giorgio Pestelli, and Pierluigi Petrobelli. It is available as a two-volume set: a full orchestral score and a critical commentary. The newly set score is printed on acid-free paper and...

Verdi's operas are most often represented in the concert hall by their overtures or 'sinfonias' with very good reason. A number of them are symphonic gems in their own right. The operas he composed for the Paris stage give us another view of his orchestral virtuosity with their sumptuous ballet scores. The Airs de Ballet was given its premiere with the premiere of JErusalem, the French-language revsion of his earlier opera I Lombardi given in Paris in the Salle Le Peletier on November 26, 1847. The ballet, staged during Act III as per the tradition at the Paris...

Verdi's operas are most often represented in the concert hall today by their overtures or 'sinfonias' with very good reason. A number of them are symphonic gems in their own right. The operas he composed for the Paris stage give us another view of his orchestral virtuosity with their sumptuous ballet scores. The Ballet de la Reine (La Peregrina) was given its premiere with the world premiere of the opera Don Carlos itself in Paris by the ThEAtre ImpErial de l'OpEra in the Salle Le Peletier in March 11, 1867 under the baton of FranCois George-Hainl. The ballet, which was...