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There is a celestial violinist playing to us; we need only listen to catch the tune and break free of the cage of ecclesiastical creeds and dogmas.

In Fiddler in the Zoo author and theologian Chrysostom Arangaden reminds us that knowledge is our destiny and that its dissemination offers no barrier. He invites us to explore the traditional beliefs that bind us, as he inspires us to be reborn into the glorious liberty of the children of God.

Arangaden's work follows the words of Bengali poet Rabindranath Tagore in Gitanjali-"Where the mind is without fear ... and where knowledge is...

There is a celestial violinist playing to us; we need only listen to catch the tune and break free of the cage of ecclesiastical creeds and dogmas.

In Fiddler in the Zoo author and theologian Chrysostom Arangaden reminds us that knowledge is our destiny and that its dissemination offers no barrier. He invites us to explore the traditional beliefs that bind us, as he inspires us to be reborn into the glorious liberty of the children of God.

Arangaden's work follows the words of Bengali poet Rabindranath Tagore in Gitanjali-"Where the mind is without fear ... and where knowledge is...

Dio Cocceianus Chrysostomus, ca. 40ca. 120 CE, of Prusa in Bithynia, Asia Minor, inherited with his brothers large properties and debts from his generous father Pasicrates. He became a skilled rhetorician hostile to philosophers. But in the course of his travels he went to Rome in Vespasian's reign (6979) and was converted to Stoicism. Strongly critical of the emperor Domitian (8196) he was about 82 banned by him from Italy and Bithynia and wandered in poverty, especially in lands north of the Aegean, as far as the Danube and the primitive Getae. In 97 he spoke publicly to Greeks...

"The Divine Liturgy of Saint John Chrysostom" is the most celebrated Divine Liturgy in the Byzantine Rite. It is named after the anaphora with the same name which is its core part and it is attributed to Saint John Chrysostom, Archbishop of Constantinople in the 5th century.

Used by every Greek Orthodox church as a template for worship since the 5th century, it has stood the test of time and reflects a love for God and his people not found in churches today.