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The Poetics of Consent breaks new ground in Homeric studies by interpreting the Iliad's depictions of political action in terms of the poetic forces that shaped the Iliad itself. Arguing that consensus is a central theme of the epic, David Elmer analyzes in detail scenes in which the poem's three political communities--Achaeans, Trojans, and Olympian gods--engage in the process of collective decision making.

These scenes reflect an awareness of the negotiation involved in reconciling rival versions of the Iliad over centuries. They also point beyond the...

First published in 1960, Albert B. Lord's The Singer of Tales remains the fundamental study of the distinctive techniques and aesthetics of oral epic poetry. Based upon pathbreaking fieldwork conducted in the 1930s and 1950s among oral epic singers of Bosnia, Croatia, and Serbia, Lord analyzes in impressive detail the techniques of oral composition in performance. He explores the consequences of this analysis for the interpretation of numerous works of traditional verbal art, including--in addition to South Slavic epic songs--the Homeric Iliad and Odyssey,...