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This work describes how Euripides provides, in specific plays, a variety of original treatments of well-known views of his contemporaries, the Sophists. The emphasis is on Euripides as the creative virtuoso of dramatic ideas rather than as a philosopher. Euripides' adaptation covers a range of dramatic styles and approaches, from the tragic treatment of the nature in "Hippolytus," to the near parody of Sophistic views on sense-perception in "Helen."

This volume complements D.J. Conacher's two earlier studies of Aeschylus, Aeschylus' 'Prometheus Bound' (1980) and Aeschylus' 'Oresteia' (1987), and completes his literary commentary on the extant plays of Aeschylus.

In this volume Conacher provides a detailed running commentary on the three earlier plays (The Persians, The Seven against Thebes, and The Suppliants), as well as an analysis of their themes, structure and dramatic techniques and devices. In two more general studies he reviews Aeschylus' dramatic uses of the chorus and of imagery.

At the heart of this volume lies an exploration of what actually happens to languages and their users when cultures come into contact. What actions do supra-national institutions, nation states, communities and individuals take in response to questions raised by the increasingly diverse forms of migration experienced in a globalized world?

The volume reveals the profound impact that decisions made at national and international level can have on the lives of the individual migrant, language student, or speech community. Equally, it evaluates the broader ramifications of actions taken...