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Valued today for its development of the third law of planetary motion, Harmonice mundi (1619) was intended by Kepler to expand on ancient efforts to discern a Creator's plan for the planetary system--an arrangement thought to be based on harmonic relationships. Challenging critics who characterize Kepler's theories of harmonic astronomy as "mystical," Bruce Stephenson offers the first thorough technical analysis of the music the astronomer thought the heavens made, and the logic that led him to find musical patterns in his data. In so doing, Stephenson illuminates crucial aspects of...

From Hipparchus and Ptolemy in the ancient world, through Copernicus and Brahe in the sixteenth century, astronomers had used geometrical models to give a kinematic account of the movements of the sun, moon, and planets. Johannes Kepler revolutionized this most ancient of sciences by being the first to understand astronomy as a part of physics. By closely and clearly analyzing the texts of Kepler's great astronomical works, in particular the Astronomia nova of 1609, Bruce Stephenson demonstrates the importance of Kepler's physical principles--principles now known to be...

Valued today for its development of the third law of planetary motion, Harmonice mundi (1619) was intended by Kepler to expand on ancient efforts to discern a Creator's plan for the planetary system--an arrangement thought to be based on harmonic relationships. Challenging critics who characterize Kepler's theories of harmonic astronomy as "mystical," Bruce Stephenson offers the first thorough technical analysis of the music the astronomer thought the heavens made, and the logic that led him to find musical patterns in his data. In so doing, Stephenson illuminates crucial aspects of...