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A sharp-shooting lone-ranger from the post-Marxist left.
New York Times

The most important French thinker of the past twenty years.
J. G. Ballard

"Theory is never so fine as when it takes the form of a fiction or a fable," writes Baudrillard in Cool Memories V - the latest in a series of aphoristic journals that covers the period 2000-2004. During these...

In the wake of the 9/11 attacks, after the invasions of Afghanistan and Iraq and at the height of the "War on Terror," the controversial postmodernist thinker Jean Baudrillard wrote The Intelligence of Evil. In tackling the rhetoric of the so-called "clash of civilizations" between a capitalist West and a fundamentalist religious Islam, the book also provides a summation of many of the most important themes of Baurdrillard's philosophical project.

Baudrillard here explores how neoliberal political rhetoric has divided human cultures are divided into two antagonistic forces,...

A sharp-shooting lone-ranger from the post-Marxist left.
New York Times

The most important French thinker of the past twenty years.
J. G. Ballard

"Theory is never so fine as when it takes the form of a fiction or a fable," writes Baudrillard in Cool Memories V - the latest in a series of aphoristic journals that covers the period 2000-2004. During these...

-The need to speak, even if one has nothing to say, becomes more pressing when one has nothing to say, just as the will to live becomes more urgent when life has lost its meaning.---from The Ecstasy of Communication

First published in France in 1987, The Ecstasy of Communication was Baudrillard's summarization of his work for a postdoctoral degree at the Sorbonne: a dense, poetically crystalline essay that boiled down two decades of radical, provocative theory into an aphoristically eloquent swan song to twentieth-century alienation. Baudrillard's quixotic effort to be...

But Baudrillard is not merely intending to lament the disappearance of the real, an occurrence he recently described as "the most important event of modern history," nor even to meditate upon the paradoxes of reality and illusion,...

The images from Abu Ghraib are as murderous for America as those of the World Trade Center in flames. The whole West is contained in the burst of sadistic laughter of the American soldiers, as it is behind the construction of the Israeli wall. This is where the truth of these images lies. Truth, but not veracity. As virtual as the war itself, their specific violence adds to the specific violence of the war.In The Conspiracy of Art, Baudrillard questions the privilege attached to art by its practitioners. Art has lost all desire for illusion: feeding back endlessly into itself, it has...