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A sharp-shooting lone-ranger from the post-Marxist left.
New York Times

The most important French thinker of the past twenty years.
J. G. Ballard

"Theory is never so fine as when it takes the form of a fiction or a fable," writes Baudrillard in Cool Memories V - the latest in a series of aphoristic journals that covers the period 2000-2004. During these...

In the wake of the 9/11 attacks, after the invasions of Afghanistan and Iraq and at the height of the "War on Terror," the controversial postmodernist thinker Jean Baudrillard wrote The Intelligence of Evil. In tackling the rhetoric of the so-called "clash of civilizations" between a capitalist West and a fundamentalist religious Islam, the book also provides a summation of many of the most important themes of Baurdrillard's philosophical project.

Baudrillard here explores how neoliberal political rhetoric has divided human cultures are divided into two antagonistic forces,...

A sharp-shooting lone-ranger from the post-Marxist left.
New York Times

The most important French thinker of the past twenty years.
J. G. Ballard

"Theory is never so fine as when it takes the form of a fiction or a fable," writes Baudrillard in Cool Memories V - the latest in a series of aphoristic journals that covers the period 2000-2004. During these...

Comprised of three essays written by Baudrillard in the lead-up to, during, and after the military clash in the Gulf in 1992, this book is a penetrating and provocative analysis of the unfolding drama using the author's well-known concepts of simulation and the hyperreal. Paul Patton's introduction surveying the debate aroused by the conflict argues that Baudrillard, more than any other critic of the events, correctly identified the political stakes involved in the gestation of the New World Order.

But Baudrillard is not merely intending to lament the disappearance of the real, an occurrence he recently described as "the most important event of modern history," nor even to meditate upon the paradoxes of reality and illusion,...

Konsum ist langst mehr als nur ein Anhangsel der Produktion. Vielmehr ist er ein universales Zeichensystem geworden, in dem hedonistische Konsumwunsche und moralische Konsumkritik nebeneinander koexistieren. Insofern integriert Konsum die Gesellschaft und dient ihr zugleich als Spiegelbild, und er ist fur die Einzelnen das ideale Medium der Selbst(er)findung. Fur Baudrillard konstituiert und charakterisiert der Konsum deshalb die Kultur unserer Gesellschaft; er ist eine Ordnung von Bedeutungen wie die Sprache oder wie das Verwandtschaftssystem in der primitiven Gesellschaft ....