This book offers a much-needed study of the Victorian novel's role in representing and shaping the service sector's emergence. Arguing that prior accounts of the novel's relation to the rise of finance have missed the emergence of a wider service sector, it traces the effects of service work's many forms and class positions in the Victorian novel.

Covering a wide range of magazine work, including editing, illustration, poetry, needlework instruction and typesetting, this book provides fresh insights into the participation of women in the nineteenth-century magazine industry.

Faced with the chaos and banality of modern, everyday life, a number of Victorian poets sought innovative ways of writing about the unpoetic present in their verse. Their varied efforts are recognisably akin, not least in their development of mixed verse-forms that fused novel and epic to create something equal to the miscellaneousness of the age.

Mobility in the Victorian Novel explores mobility in Victorian novels by authors including Charles Dickens, Charlotte Bronte, Elizabeth Gaskell, George Eliot and Mary Elizabeth Braddon. With focus on representations of bodies on the move, it reveals how journeys create the place of the nation within a changing global landscape.

This book reads Oscar Wilde as a queer theorist and Wilfred Owen as his symbolic son. It centers on the concept of 'male procreation', or the generation of new ideas through an erotic but non-physical connection between two men, and it sees Owen as both a product and a continuation of this Wildean tradition.

This collection reveals the variety of literary forms and visual media through which travel records were conveyed in the long nineteenth century, bringing together a group of leading researchers from a range of disciplines to explore the relationship between travel writing, visual representation and formal innovation.

Time, Domesticity and Print Culture combines literary criticism with innovative readings of texts' material form. The author argues that the way writing was transmitted as monthly instalments or periodical articles contributed to its representative power. The study's focus is domestic time; it shows that writers in the nineteenth century were anxious to describe the middle-class home as a temporal entity and not just a spatial one. In order to describe temporal practices such as repetitive housework, interruption and everyday processes, writers had to negotiate not just narrative, but also...

Inspired by the work of the radical literary scholar, the late Sally Ledger, this volume provides a commentary on the political traditions that underpin the literature of this complex period, and examines the interpretive methods that are needed to understand them.

This book examines the construction of adolescent girlhood across a range of genres in the closing decades of the nineteenth century.

It argues that readers on both sides of the Atlantic shaped the contours of international `English' in the 1800s, expressing love for books and authors in a wide range of media and social practices.