Time, Domesticity and Print Culture in Nineteenth-Century Britain

ISBN-13: 9781137542878 / Angielski / Twarda / 2016 / 192 str.

Maria Damkjaer

Opis

Time, Domesticity and Print Culture combines literary criticism with innovative readings of texts' material form. The author argues that the way writing was transmitted as monthly instalments or periodical articles contributed to its representative power. The study's focus is domestic time; it shows that writers in the nineteenth century were anxious to describe the middle-class home as a temporal entity and not just a spatial one. In order to describe temporal practices such as repetitive housework, interruption and everyday processes, writers had to negotiate not just narrative, but also the printed page and the serial instalment. This book traces a spectrum from literary fiction Bleak House by Dickens and North and South by Gaskell to less linear forms like periodical writing, Isabella Beeton's cookery book and the private album, in order to argue that print culture was saturated with domestic temporality.

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Spis treści

List of illustrations
Acknowledgements
Introduction: Timetabling and its failures
1. Repetition: Making Domestic Time in Bleak House and the 'Bleak House Advertiser'
2. Interruption: The Periodical Press and the Drive for Realism
3. Division into Parts: Elizabeth Gaskell's North and South and the Serial Instalment
4. Decomposition: Mrs Beeton and the Non-Linear Text
Coda: Scrapbooking and the Reconfiguration of Domestic Time
Notes
Bibliography
Index

O autorze

Maria Damkjær is a Post-Doctoral Fellow at the Department of English, Germanic and Romance Studies, University of Copenhagen, Denmark. She holds a PhD in English Literature from King's College London, UK.

Blurb

Time, Domesticity and Print Culture combines literary criticism with innovative readings of texts' material form. The author argues that the way writing was transmitted – as monthly instalments or periodical articles – contributed to its representative power. The study's focus is domestic time; it shows that writers in the nineteenth century were anxious to describe the middle-class home as a temporal entity and not just a spatial one. In order to describe temporal practices such as repetitive housework, interruption and everyday processes, writers had to negotiate not just narrative, but also the printed page and the serial instalment.

This book traces a spectrum from literary fiction – Bleak House by Dickens and North and South by Gaskell – to less linear forms like periodical writing, Isabella Beeton's cookery book and the private album, in order to argue that print culture was saturated with domestic temporality.