'Tragedy, Authority, and Trickery' investigates letters in Josephus' texts. It analyses classical, Hellenistic, and Jewish texts' use of letters, comparing those texts to Josephus' narratives.
'Tragedy, Authority, and Trickery' investigates letters in Josephus' texts. It analyses classical, Hellenistic, and Jewish texts' use of letters, comp...
Studies Homeric performance from archaic to Roman imperial times. This title argues that oracular utterance, dramatic acting, and rhetorical delivery powerfully elucidate the practice of epic rhapsodes. It shows that rhapsodic practice is best understood as an evolving combination of revelation, interpretation, recitation, and dramatic delivery.
Studies Homeric performance from archaic to Roman imperial times. This title argues that oracular utterance, dramatic acting, and rhetorical delivery ...
This book explores the place of the sophists within the Greek wisdom tradition, and argues against their almost universal exclusion from serious intellectual traditions. By studying the sophists against the backdrop of the archaic Greek institutions of wisdom, it is possible to detect considerable intellectual overlap between them and their predecessors. This book explores the continuity of this tradition, suggesting that the sophists' intellectual balkanization in modern scholarship, particularly their low standing in comparison to the Presocratics, Platonists, and Aristotelians, is a direct...
This book explores the place of the sophists within the Greek wisdom tradition, and argues against their almost universal exclusion from serious intel...
Anna Bonifazi suggests that the Homeric text we have now would have enabled ancient audiences to enjoy the evocative power of even minimal linguistic elements. The multiple functions served by these elements are associated not only with the variety of narrative contexts in which they occur but also with overarching poetic strategies. The findings relate to two strategies in particular: unfolding the narrative by signaling the upcoming content with au- adverbs and particles, and letting the complexity of Odysseus' identity resonate through the ambiguous use of third-person pronouns. The words'...
Anna Bonifazi suggests that the Homeric text we have now would have enabled ancient audiences to enjoy the evocative power of even minimal linguistic ...
This book--the first full-length study of the last and most beautiful apology against paganism, Theodoret's Therapeutic for Hellenic Maladies--combines close readings of the text with detailed analysis of Theodoret's arguments against Greek religion, philosophy, and culture and the ways in which that Greek influence interacts with other diverse ideas, practices, and developments in the fifth-century Roman empire. The book's larger underlying themes--the continuing debate between Christianity and Hellenism, and the relationship between classical and Christian literature--offer insights into...
This book--the first full-length study of the last and most beautiful apology against paganism, Theodoret's Therapeutic for Hellenic Maladies--combine...
"Aspects of History and Epic in Ancient Iran" focuses on the content of one of the most important inscriptions of the Ancient Near East: the Bisotun inscription of the Achaemenid king Darius I (6th century bce), which in essence reports on a suspicious fratricide and subsequent coup d etat. Moreover, the study shows how the inscription s narrative would decisively influence the Iranian epic, epigraphic, and historiographical traditions well into the Sasanian and early Islamic periods.
Intriguingly, our assessment of the impact of the Bisotun narrative on later literary traditions in...
"Aspects of History and Epic in Ancient Iran" focuses on the content of one of the most important inscriptions of the Ancient Near East: the Bisotu...
What do we mean by space in the "Iliad"? The aim of this book is to offer a systematic and comprehensive presentation of the different types and functions of space in the earliest work of Greek literature. By adopting a twofold division between simple and embedded story space, the former pertaining to the actions of characters and the latter to their thoughts, Christos Tsagalis shows how character drawing and authority are deeply influenced by active spatial representation.
Similes and descriptive passages, in which space looms large, are also viewed in a new light as the author...
What do we mean by space in the "Iliad"? The aim of this book is to offer a systematic and comprehensive presentation of the different types and fu...
Historians like Ephorus, Theopompus, or Aristotle's great-nephew Callisthenes, to say nothing of Xenophon, counted among the most acclaimed in antiquity. But with the exception of Xenophon, their complete works have not survived, and thus they are accessible to the modern reader only in the form of fragments, usually quoted by later authors.
The present collection of essays by an international team of scholars focuses on the contribution of these and other fourth-century authors to the development of Greek historiography in terms of form, scope, and methods. Between Thucydides and...
Historians like Ephorus, Theopompus, or Aristotle's great-nephew Callisthenes, to say nothing of Xenophon, counted among the most acclaimed in anti...
Christians talked, debated, and wrote dialogues in late antiquity and on throughout Byzantium. Some were philosophical, others more literary, theological, or Platonic; Aristotle also came into the picture as time went on. Sometimes the written works claim to be records of actual public debates, and we know that many such debates did take place and continued to do so. Dialoguing in Late Antiquity takes up a challenge laid down by recent scholars who argue that a wall of silence came down in the fifth century AD, after which Christians did not "dialogue."
Averil Cameron now...
Christians talked, debated, and wrote dialogues in late antiquity and on throughout Byzantium. Some were philosophical, others more literary, theol...
It may seem odd to devote an entire book, however short, to a lost epic of which hardly any fragments (as normally defined) survive. The existence of a late prose summary of the epic's contents hardly dispels that oddness. One (rather long) word may supply justification: Neoanalysis.
This once influential theory held that motifs and episodes in the Iliad derive from the Aethiopis, called thus after an Ethiopian prince who allied with Troy against the Greeks, only to be killed by the Greeks' greatest hero, Achilles. The death of that hero himself, at the hands of Paris,...
It may seem odd to devote an entire book, however short, to a lost epic of which hardly any fragments (as normally defined) survive. The existence ...