Susan Griffin analyzes the neglected body of anti-Catholic fiction written between the 1830s and the turn of the century in both Britain and the U.S. Her examination reveals how Anglo-American anti-Catholic sentiment was distilled to provide Victorians with a set of political, cultural and literary "truths" through which they defined themselves as Protestant and, therefore, "normative." This book will be essential reading for scholars working on British Victorian literature as well as nineteenth-century American literature and will also interest scholars of literary, cultural and religious...

Arguing for a fundamental reassessment of the literary history of the nineteenth-century United States within transamerican and multilingual contexts, Anna Brickhouse examines a broad array of texts in English, French, and Spanish. She discovers literary influences from Latin American and Caribbean American literatures which made the period a rich era of literary border-crossing and transcontinental cultural exchange.

Elizabeth Hewitt argues that many canonical American authors, including Jefferson, Emerson, Melville, Dickinson and Whitman, turned to letter-writing as an idealized genre through which to consider the challenges of American democracy before the Civil War. Hewitt maintains that, although correspondence is generally only conceived as a biographical archive, it must instead be understood as a significant genre through which these early authors made sense of social and political relations in the new nation.

Charles Altieri's groundbreaking new book sets modernist American poetry in a precise cultural context by analyzing how major poets reacted to the challenge posed by modernist painting's radical critique of traditional representational models for art. It argues that modernist poets have tended to resist the received values of their contemporary culture by finding idealizing principles in modes of pure abstraction. It traces the use of such abstraction in literature from Wordsworth, through Baudelaire and Mallarme, to T.S. Eliot, William Carlos Williams, Marianne Moore, and Gertrude Stein....

In Walt Whitman and the American Reader, Greenspan casts Whitman as the central actor on the stage of nineteenth-century American literary culture--a culture redefining its democratic identity. Against the context of the major changes revolutionizing the professions of printer, publisher, bookseller, and author, he examines the connection between the bookmaking culture of mid-century and Leaves of Grass, and between the conditions for authorship and Whitman's career. The result is a far-ranging study of Whitman as a model of the nineteenth-century American writer writing for--and sometimes...

In this innovative study, Michael Staub recasts 1930s cultural history by analyzing those genres characteristic of the Depression era: Staub argues that several thirties writers were aware of the ambiguousness of historical truth, and the impossibility of representing reality without being complicitous in its distortion. New interpretations of such canonized authors as James Agee, John Dos Passos, Zora Neale Hurston, John G. Neihardt, and Tillie Olson are coupled with critical discussions of previously little-known works of ethnography, journalism, oral history and polemical fiction.

In Emerson and the Conduct of Life, David M. Robinson describes Ralph Waldo Emerson's evolution from mystic to pragmatist, stressing the importance of Emerson's undervalued later writing. Emerson's reputation has rested on the addresses and essays of the 1830s and 1840s, in which he propounded a version of transcendental idealism, and memorably portrayed moments of mystical insight. But Emerson's later writings suggest an increasing concern over the elusiveness of mysticism, and an increasing stress on ethical choice and practical power. These works reveal Emerson as an ethical philosopher...

Through the voice of American fiction, Religion and Sexuality in American Fiction examines the relations of body and spirit (religion and sexuality) by asking two basic questions: How have American novelists handled the interaction between religious and sexual experience? Are there instructive similarities and differences in how male and female authors write about religion and sexuality? Using both canonical and noncanonical fiction, Ann-Janine Morey examines novels dealing with the ministry as the medium wherein so many of the tensions of religion and sexuality are dramatized, and then moves...

In a highly original study, David Wyatt takes a broad, yet personal, look at the cultural legacy of the sixties through ten creative figures who came of age during the Vietnam War. Wyatt argues that it is each artist's "personal engagement" with his or her own era that binds together the achievements of storytellers such as filmmaker George Lucas, songwriter Bruce Springsteen, playwright Sam Shepard, journalist Michael Herr, writers Ann Beattie, Alice Walker, Ethan Mordden, Sue Miller, and poets Gregory Orr, and Louise Gluck. For some their work is marked by the war and concerned directly...

The intellectual relationship between Henry James and his father proved to be an influential resource for the novelist. Andrew Taylor examines the nature of both men's engagement with autobiographical strategies, issues of gender reform, and the language of religion. He argues for a reading of Henry James that is informed by an awareness of paternal inheritance. Through the study of a wide range of novels and texts, he demonstrates how James Senior's dialogue with his contemporaries, such as Emerson and Whitman, anticipates James's own theories of fiction and selfhood.