Kategoria BISAC: Poetry >> Ancient & Classical

The unsurpassed satirist of the ancient era was a young Syrian named Lucian, who, writing in Greek in the second century a.d., combined wit, irony, fearless candor, and exuberant comic fantasy to create the triumphantly irreverent dialogues and stories contained in this book. His genial mockery, aimed at man's omnipresent feelings, has never gone out of date. The jabs he gave the hypocrites; grandstanders, fakers and boobs of the ancient world can just as appropriately be administered to their counterparts in the modern world.

Lucian's most typical genre is a parody of a Platonic...

This edition of Book III of Eutropius's Breviarium ab urbe condita is designed to be a student's first encounter with authentic, unabridged Latin prose. Written in a simple and direct style, the Breviarium covers the period of Roman history that students find the most interesting--the Second Punic War fought against Carthage--and the original Latin text is supplemented with considerable learning support. Full annotations on every page, detailed commentary on grammar and syntax, and a glossary designed specifically for the text allow students to build both their confidence and...

Teofilo Folengo (1491-1544) was born in Mantua and joined the Benedictine order, but became a runaway monk and a satirist of monasticism. In 1517 he published, under the pseudonym Merlin Cocaio, the first version of his macaronic narrative poem Baldo, later enlarged and elaborated. It blended Latin with various Italian dialects in hexameter verse, inventing a deliberately droll language whose humor depends on the mixture of high and low tonalities. An important example of the mock-heroic epic, the work was a model for Rabelais and was frequently reprinted.

Baldo, the hero of...

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as...

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as...

Presented in their original medieval Latin and with commentary and notes in English, this is a translation of thirty poems from Carmina Burana.

The Carmina Burana is a collection of poems, songs and sung religious drama from the twelfth and thirteenth centuries. Often described as the work of wandering scholars, it actually contains many pieces by famous clerics of the period. The verses are lively, uninhibited celebrations of the joys of wine, women and gambling, but there are also serious poems on the pains of love and the moral corruption of the Church.

Gaius Valerius Catullus (c. 84-54 BCE), one of the finest lyrical poets of classical times, was also among the bawdiest. He was capable of producing poems of such forthright and ribald sensuality that until recently they were all too often relegated to collections of erotica to protect the innocent minds of impressionable students. This collection of Catullus' poems incorporates the original Latin text and a facing English translation by James Michie, which is contemporary and lively, matching the spirit of the original, and also reveals the poets as he really was: a worldly, lusty man...

Little remains today of the writings of the archaic Greek poet Sappho (fl. late 7th and early 6th centuries B.C.E.), whose work is said to have filled nine papyrus rolls in the great library at Alexandria some 500 years after her death. The surviving texts consist of a lamentably small and fragmented body of lyric poetry--among them, poems of invocation, desire, spite, celebration, resignation, and remembrance--that nevertheless enables us to hear the living voice of the poet Plato called the tenth Muse.

Stanley Lombardo's translations give us a virtuoso embodiment of Sappho's voice,...

Successfully integrating elegance and a close fidelity to the Greek, these new translations aim to provide Greekless students with as close a sense as possible of how the Greeks themselves thought and wrote about the world. Miller's skillful introduction places the works in historical context and briefly describes the different metrical forms represented in the selections. Headnotes to each section highlight the background of the poet whose works follows. Complete with a glossary of names and a select bibliography.