Kategoria BISAC: Poetry >> American - General

in this place

there are the dead, the deadly and the dying.

there is the cross, the builders of the cross and the burners of the

cross.

the pattern of my life forms like a cheap shadow

on the wall before me.

my love

what is left of it

now must crawl

to wherever it can crawl.

the strongest know that death is

final

and the happiest are those gifted with the

shortest journey.

the gas line is leaking, the bird is gone from the
cage, the skyline is dotted with vultures;
Benny finally got off the stuff and Betty now has a job
as a waitress; and
the chimney sweep was quite delicate as he
giggled up through the
soot.
I walked miles through the city and recognized
nothing as a giant claw ate at my
stomach while the inside of my head felt
airy as if I was about to go
mad.
it's not so much that nothing means
anything but more that it keeps meaning
nothing,
there's no release, just gurus...

A haunting and inventive book length sequence of poems from the distinguished author of Study for the World's Body.

The Face is both fiercely lyrical and intimately conversational. Coming to terms with the failure of a great love, the speaker descends into his own dark night of the soul. Here are poems that explore the drama of the shattered self in a variety of voices, calling on memory to speak and imagination to make beauty from the shards. Slowly, the speaker reassembles his life and again finds faith in himself and the world. These poems reveal a swirling...

An exciting first collection of poetry from an emerging talent, Andrew Feld's Citizen was a winner of the 2003 National Poetry Series Open Competition, selected by esteemed poet Ellen Bryant Voigt. For over twenty years, the National Poetry Series has discovered many new and emerging voices and has been instrumental in launching the careers of poets and writers such as Billy Collins, Mark Doty, Denis Johnson, Cole Swensen, Thylias Moss, Mark Levine, and Dionisio Martinez.

Sylvia Plath's famous collection, as she intended it.

When Sylvia Plath died, she not only left behind a prolific life but also her unpublished literary masterpiece, Ariel. When her husband, Ted Hughes, first brought this collection to life, it garnered worldwide acclaim, though it wasn't the draft Sylvia had wanted her readers to see. This facsimile edition restores, for the first time, Plath's original manuscript -- including handwritten notes -- and her own selection and arrangement of poems. This edition also includes in facsimile the complete working drafts of her poem "Ariel,"...

In his fourteenth collection of poetry, Pulitzer Prize and National Book Award winner James Tate continues exploring his own peculiar brand of poetry, transforming our everyday world, a world where women give birth to wolves, wild babies are found in gardens, and Saint Nick visits on a hot July day. Tate's signature style draws on a marvelous variety of voices and characters, all of which sound vaguely familiar, but are each fantastically unique, brilliant, and eccentric.

Yet, as Charles Simic observed in the New York Review of Books, "With all his reliance on chance, Tate has a...

With School of the Arts, Mark Doty's darkly graceful seventh collection, the poet reinvents his own voice at midlife, finding his way through a troubled passage. At once witty and disconsolate -- formally inventive, acutely attentive, insistently alive -- this is a book of fierce vulnerability that explores the ways in which we are educated by the implacable powers of time and desire in a world that constantly renews itself.

Readers have found Robert Bly's ghazals startling and new; they merge wildness with a beautiful formality.

My Sentence Was a Thousand Years of Joy is Robert Bly's second book of ghazals. The poems have become more intricate and personal than they were in The Night Abraham Called to the Stars, and the leaps even bolder. This book includes the already famous poem against the Iraq War, "Call and Answer": "Tell me why it is we don't lift our voices these days / And cry over what is happening."

The poems are intimate and yet reach out toward the world: the...

"America's epic is the odyssey of appetite," Campbell McGrath declares, and these poems track those defining hungers across a social landscape by turns "grave, risible, amazing, banal," cataloging the "vortex of images in a ruined theater the culture comes to resemble," from Rocky and Bullwinkle to "Blue Angels rampant on a field of static, / anthem and flag descending to darkness." In terza rima meditations, rock-and-roll elegies, and abecedarian lyrics, Pax Atomica documents the tangled romance between self and society ("in which / the melody's ampersand ensnares us") in ways...

What does it mean to be fully present in a human life? How -- in the face of the carnage of war, the no longer merely threatened destruction of the natural world, the faceless threat of spiritual oversimplification and reactive fear -- does one retain one's capacity to be both present and responsive? And to what extent does our capacity to be present, to be fully ourselves, depend on our relationship to an other and our understanding of and engagement with otherness itself? With what forces does the sheer act of apprehending make us complicit? What powers lord over us and what do we, as a...

An investigation into incarnation, transience, and our intimate connection with all existence, by one of the preeminent poets of her generation

A rich debut collection from a promising new poet -- selected by Campbell McGrath as a winner of the 2004 National Poetry Series Open Competition

For more than twenty-five years, the National Poetry Series has sought out and discovered new voices, helping to launch the careers of such luminaries as the former poet laureate Billy Collins, Mark Doty, Denis Johnson, Stephen Dobyns, Mark Levine, and Dionisio Martinez.

From the introduction by Joyce Carol Oates:

Between them, our great visionary poets of the American nineteenth century, Emily Dickinson and Walt Whitman, have come to represent the extreme, idiosyncratic poles of the American psyche....

Dickinson never shied away from the great subjects of human suffering, loss, death, even madness, but her perspective was intensely private; like Rainer Maria Rilke and Gerard Manley Hopkins, she is the great poet of inwardness, of the indefinable region of the soul in which we are, in a sense, all alone.

From the introduction by Galway Kinnell:

The poems of Walt Whitman meant little to me when I read them in high school and college. Luckily, when I was teaching at the University of Grenoble in my late twenties, I was required to give a course on Whitman. My experience of Leaves of Grass then was intense. . . . Soon I understood that poetry could be transcendent, hymn-like, a cosmic song, and yet remain idolatrously attached to the creatures and things of our world. . . . Once again, as when I first began writing, it seemed it might be possible to say everything in poetry.

There is no life higher than the grasstops
Or the hearts of sheep, and the wind
Pours by like destiny, bending
Everything in one direction.
I can feel it trying
To...

An introduction by Norma Millay, written expressly for this volume, focuses on examples of the poet's variations in sonnet structure. Here is the voice of Millay, whose prophetic vision, devotion to freedom, and intellectual daring combine with her mastery of the sonnet form to speak eloquently for the human spirit.

The best of Bukowski's novels, stories, and poems, this collection reads like an autobiography, relating the extraordinary story of his life and offering a sometimes harrowing, invariably exhilarating reading experience. A must for this counterculture idol's legion of fans.

Placed in the context of twentieth-century moral disaster--war, genocide, the Holocaust, the atomic bomb--Forche's ambitions and compelling third collection of poems is a meditation of memory, specifically how memory survives the unimaginable. The poems reflect the effects of such experience: the lines, and often the images within them, are fragmented discordant. But read together, these lines, become a haunting mosaic of grief, evoking the necessary accommodations human beings make to survive what is unsurvivable. As poets have always done, Forche attempts to gibe voice to the...