Kategoria BISAC: Performing Arts >> Individual Director

Roger Ebert wrote the first film review that director Martin Scorsese ever received--for 1967's I Call First, later renamed Who's That Knocking at My Door--creating a lasting bond that made him one of Scorsese's most appreciative and perceptive commentators. Scorsese by Ebert offers the first record of America's most respected film critic's engagement with the works of America's greatest living director, chronicling every single feature film in Scorsese's considerable oeuvre, from his aforementioned debut to his 2008 release, the Rolling Stones documentary Shine a...

Ingmar Bergman's 1963 film The Silence was made at a point in his career when his stature as one of the great art-film directors allowed him to push beyond the boundaries of what was acceptable to censorship boards in Sweden and the United States. The film's depiction of sexuality was, as Judith Crist wrote at the time in the New York Herald-Tribune, "not for the prudish." Yet Bergman's notebooks and screenplays reveal his tendency for self-censorship, both to dampen the literary quality of his screenwriting and to alter portions of the script that Bergman ultimately deemed...

"Roman Polanski: A Life in Exile" is a revealing look at this acclaimed filmmaker whose life in exile seems to have made his films all the more personal and powerful.

Written by a film critic, this insightful book follows Polanski's story from his childhood in a World War II Jewish ghetto to his early films in Poland; from his American breakout, "Rosemary's Baby," to his wife's murder by the Manson family; from the spectacular return of "Chinatown," to his exile as a convicted sex criminal, to the monumental career peak, "The Pianist." The Holocaust, the oppression of communism, the...

One of Canada's premier cinematic exports, Guy Maddin (b. 1956) is an award-winning filmmaker with a rising reputation. Known for his autobiographical tales---hidden deeply within comical, absurd, and surrealistic narratives---Maddin has earned international acclaim, including a lifetime achievement award at the Telluride Film Festival at the age of thirty-nine.

Possessing a deep knowledge of silent cinema, modernist artists, and novelists, Maddin's seemingly amateurish visual style and unusual subjects (patriphagia in The Dead Father, incest in Careful) obscure the...

Hal Ashby (1929-1988) is considered to be the lost genius of the New Hollywood generation. While his name does not bear the familiarity of, say, Robert Altman or Martin Scorsese, his diverse films are among the best known and most beloved of the era. From the cult classic Harold and Maude (1971) to the iconic political satire Being There (1979), from the subversive sex comedy Shampoo (1975) to the anti-Vietnam romance Coming Home (1979), Ashby rejected mainstream conventions while his films attracted both popular and critical praise.

A true actors'...

Hal Ashby (1929-1988) is considered to be the lost genius of the New Hollywood generation. While his name does not bear the familiarity of, say, Robert Altman or Martin Scorsese, his diverse films are among the best known and most beloved of the era. From the cult classic Harold and Maude (1971) to the iconic political satire Being There (1979), from the subversive sex comedy Shampoo (1975) to the anti-Vietnam romance Coming Home (1979), Ashby rejected mainstream conventions while his films attracted both popular and critical praise.

A true actors'...

Guy Maddin started making films in his back yard and on his kitchen table. Now his unique work, which relies heavily on such archaic means as black and white small-format cinematography and silent-film storytelling, premieres at major film festivals around the world and is avidly discussed in the critical press. Into the Past provides a complete and systematic critical commentary on each of Maddin's feature films and shorts, from his 1986 debut film The Dead Father through to his highly successful 2008 full-length 'docu-fantasia' My Winnipeg.

William...

Marco Bellocchio is one of Italy's most important and prolific directors, with a career spanning five decades. In this book, Clodagh J. Brook explores the boundaries between the public and the private, the political and the personal, and the collective and the individual as they appear in Bellocchio's films. Including work on psychoanalysis, politics, film production, autobiography, and the relationship between film tradition and contemporary culture, Marco Bellocchio touches on fundamental issues in film analysis.

Brook's study interrogates what it means to make personal or...