Hal Ashby (1929--1988) was always an outsider, and as a director he brought an outsider's perspective to Hollywood cinema. After moving to California from a Mormon household in Utah, he created eccentric films that reflected the uncertain social climate of the 1970s. Whether it is his enduring cult classic Harold and Maude (1971) or the iconic Being There (1979), Ashby's artistry is unmistakable. His skill for blending intense drama with off-kilter comedy attracted A-list actors and elicited powerful performances from Jack Nicholson in The Last Detail (1973), Warren...
Hal Ashby (1929--1988) was always an outsider, and as a director he brought an outsider's perspective to Hollywood cinema. After moving to Californ...
Hal Ashby (1929-1988) is considered to be the lost genius of the New Hollywood generation. While his name does not bear the familiarity of, say, Robert Altman or Martin Scorsese, his diverse films are among the best known and most beloved of the era. From the cult classic Harold and Maude (1971) to the iconic political satire Being There (1979), from the subversive sex comedy Shampoo (1975) to the anti-Vietnam romance Coming Home (1979), Ashby rejected mainstream conventions while his films attracted both popular and critical praise.
A true actors'...
Hal Ashby (1929-1988) is considered to be the lost genius of the New Hollywood generation. While his name does not bear the familiarity of, say, Ro...
Hal Ashby (1929-1988) is considered to be the lost genius of the New Hollywood generation. While his name does not bear the familiarity of, say, Robert Altman or Martin Scorsese, his diverse films are among the best known and most beloved of the era. From the cult classic Harold and Maude (1971) to the iconic political satire Being There (1979), from the subversive sex comedy Shampoo (1975) to the anti-Vietnam romance Coming Home (1979), Ashby rejected mainstream conventions while his films attracted both popular and critical praise.
A true actors'...
Hal Ashby (1929-1988) is considered to be the lost genius of the New Hollywood generation. While his name does not bear the familiarity of, say, Ro...
Hal Ashby (1929--1988) was always an outsider, and as a director he brought an outsider's perspective to Hollywood cinema. After moving to California from a Mormon household in Utah, he created eccentric films that reflected the uncertain social climate of the 1970s. Whether it is his enduring cult classic Harold and Maude (1971) or the iconic Being There (1979), Ashby's artistry is unmistakable. His skill for blending intense drama with off-kilter comedy attracted A-list actors and elicited powerful performances from Jack Nicholson in The Last Detail (1973), Warren...
Hal Ashby (1929--1988) was always an outsider, and as a director he brought an outsider's perspective to Hollywood cinema. After moving to Californ...
The legendary Dennis Hopper (1936-2010) had many identities. He first broke into Hollywood as a fresh-faced young actor in the 1950s, redefined himself as a rebel director with Easy Rider in the late 1960s, and became a bad boy outcast for much of the 1970s. He returned in the 1980s with standout performances in films like Blue Velvet and Hoosiers, was one of the great blockbuster baddies of the 1990s, and ended his career as a ubiquitous actor in genre movies.
Hopper, however, was much more than just an actor and director: he was also a photographer, a painter, and...
The legendary Dennis Hopper (1936-2010) had many identities. He first broke into Hollywood as a fresh-faced young actor in the 1950s, redefined him...
