Kategoria BISAC: Performing Arts >> Individual Director

Ranging from 1988 to 1999, this book includes interviews with the acclaimed Chinese director of such films as Red Sorghum (1987), Shanghai Triad (1995), and Not One Less (1999) and the trilogy Ju Dou (1990), Raise the Red Lantern (1992), and The Story of Qiu Ju (1992).

Several of these interviews appear in English for the first time. Some come from Chinese-language periodicals, and a few have never been published until now.

In these conversations with such notable critics as Michel Ciment, Robert Sklar, and Tam Kwok-Kan, Zhang Yimou discusses...

For investing movies with an image of style and glamour George Cukor (1899--1983) is considered one of the founding fathers of the Golden Age of Hollywood. The roll call of the great films he made and the stars he directed validates his rank as one of cinema's greatest moviemakers.

-The only really important thing I have to say about George Cukor, - Katharine Hepburn proclaimed, -is that all the other directors I have worked with starred themselves. But George 'starred' the actor. He didn't want people to say, 'this great director.' He wanted them to say 'this great actor.' -...

This is the first collection of interviews with John Ford (1895--1973), whom many aficionados of fine films consider not only the major American filmmaker but also one of the most extraordinary American artists of the twentieth century.

Among the world's filmmakers who have been devotees of Ford's work are Jean-Luc Godard, Ingmar Bergman, Akira Kurosawa, Martin Scorsese, George Lucas, Wim Wenders, and Orson Welles, who, when asked from whom he learned how to make Citizen Kane, exclaimed -John Ford, John Ford, John Ford -

And yet, Ford, unquestionably a giant of...

In full command of both Hollywood stylistics and camp aesthetics, Spain's Pedro Almodovar (b. 1951) has become a master of the audacious and the unorthodox, of the permissive and the polemical.

Pedro Almodovar: Interviews documents the 22-year-long cinematic career of the most internationally celebrated Spanish art-film director since Luis Bunuel. Many of these interviews, from French, Italian, and Spanish periodicals, appear for the first time in English.

Almodovar's early cinematic ventures in Super 8 and 16mm in the 1970s marked and memorialized the rise...

Fred Zinnemann (1907-1997) was one of Hollywood's most honored directors. In a career that spanned fifty years, he won four Academy Awards and directed such classic movies as From Here to Eternity, A Man for All Seasons, The Day of the Jackal, and High Noon.

Covering thirty-three years of conversations (1964-1997), Fred Zinnemann: Interviews provides a revealing glimpse into the director's vision as he discusses in his cultivated, elegant voice his varied experiences as a filmmaker. He defends himself against charges that his films are too objective...

Starting his career as an animator for Disney, Tim Burton made his feature film directorial debut with the visually dazzling, low-budget Pee-Wee's Big Adventure. When it became a surprise blockbuster, studios began to trust him with larger budgets and the whims of his expansive imagination. Mixing gothic horror, black comedy, and oddball whimsy, Burton's movies veer from childlike enchantment to morbid melancholy, often with the same frame.

His beautifully designed and highly stylized films-including Batman, Edward Scissorhands, Beetlejuice, Big Fish,...

Howard Hawks (1896-1977) is one of America's great film directors. During a career that spanned fifty years and produced more than forty films, this writer, producer, and director made highly successful movies and managed to maintain remarkable artistic control during a time when studio moguls usually ruled. Hawks conquered virtually every genre, including action/adventure, comedy, western, film noir, gangster, science fiction, and musical films.

The remarkable diversity of his work may have kept Hawks from being as easily recognized as his contemporaries Alfred Hitchcock and John Ford....

Even by the time Senegalese filmmaker Ousmane Sembene (1923-2007) was forty, he had lived an exceptional life. He joined the French army during World War II and moved from Senegal to France in 1948. There he worked for automaker Citroen, as well as on the docks of Marseille. Exposed to Marxism, he participated in railroad strikes and trade union movements. His early novels and short story collections gained him literary recognition both in Senegal and throughout sub-Saharan Africa.

In his fortieth year, Sembene directed the short film Borom Sarret, one of the first films directed by a...

Even by the time Senegalese filmmaker Ousmane Sembene (1923-2007) was forty, he had lived an exceptional life. He joined the French army during World War II and moved from Senegal to France in 1948. There he worked for automaker Citroen, as well as on the docks of Marseille. Exposed to Marxism, he participated in railroad strikes and trade union movements. His early novels and short story collections gained him literary recognition both in Senegal and throughout sub-Saharan Africa.

In his fortieth year, Sembene directed the short film Borom Sarret, one of the first films directed by a...

Sam Peckinpah (1925-1984), an accomplished writer and director of television westerns, did not attract media attention until the release of his second feature-length film, the award-winning Ride the High Country. Peckinpah revealed in early interviews his deep knowledge of film history, an uncompromising aesthetic, and an intolerance for any crew members who did not share his capacity for hard work. As his career progressed, he began having increasingly difficult times with producers who did not share his vision. His problems with them emerge as a major focus of his interviews....

Sam Peckinpah (1925-1984), an accomplished writer and director of television westerns, did not attract media attention until the release of his second feature-length film, the award-winning Ride the High Country. Peckinpah revealed in early interviews his deep knowledge of film history, an uncompromising aesthetic, and an intolerance for any crew members who did not share his capacity for hard work. As his career progressed, he began having increasingly difficult times with producers who did not share his vision. His problems with them emerge as a major focus of his interviews....