After World War I, Hungarian society became focused on revising the terms of the Peace Treaty of Trianon. This title examines the thinking behind the renegotiation of post-treaty boundaries.

Consisting of five essays examining the American portrayal of the Hungarian Revolution of 1956, this title examines depictions in the New York Times, history, textbooks, fiction, prose, art, and memoirs of diplomats.

A comprehensive collection of 20th century research on Joseph Conrad, this volume outlines the shift from a humanist and anthropological interest in Conrad as a 'metaphysical' author to the appreciation of Conrad as a nihilist and skeptic of the modernist epoch.

It has been about half a century since the end of the Greek civil war (1949) and the Stalinization of Poland (1949) as well as a decade since Poland's Democratization (1990). After the fall of Communism, the whole of Europe tends to integrate into a peaceful commonwealth. Thus Greek and Polish histories converge whereas most of the time they had diverged and went off in opposite directions. Greece was the first country to defeat communist aggression in Europe. Poland was the first Communist country to shake of Communist tyranny and set the stage for the collapse of the Soviet empire. Greece...

John Sayles is an inspiration to independent filmmakers in America and beyond, both for his engaged political filmmaking and as living proof that directors can survive and thrive without the need for mainstream financing. His 1980s films were the counter-punch to the special effects and blockbuster aesthetics of the Star Wars and Spielberg era, and this volume closely follows his career with analysis of all of his directed works. Through discussion of films such as Return of the Secaucus 7 (1980), The Brother from Another Planet (1984), Matewan (1987) and Sunshine...

The city is one of the greatest unsung heroes in cinema - a modernist inspiration for silent classics such as Metropolis (1926) and a dense urban jungle in The Matrix (1999) - yet there have been few attempts to grasp the cultural and aesthetic nature of its role in film. This volume is an ambitious collection of writings and photo-essays discussing this complex yet enduring relationship, and how early cinema, digital technology and changing urban geographies have all impacted upon notions and representations of the modern city. Amongst the films discussed are Peeping Tom (1960), Performance...

Ingmar Bergman Revisited is a collection of new essays based on a major international symposium held in Stockholm in 2005 on the legacy of one of cinema's most towering figures. Moving beyond simple auteurist readings of Bergman as a cinematic artist, the writings here evaluate the theatrical and literary sides of Bergman's work to reconsider the achievements of the Swedish director, up to his last film Saraband (2003). Several essays result from research in Bergman's own personal archive, and amongst the subjects discussed are Bergman's stage adaptations of Shakespeare, his...

Haunted Images takes a close look at a range of treatments of the Holocaust in film, using sustained textual analysis to radically rethink film as a witness to history. Questioning the legitimacy of persistent claims that the Holocaust remains 'unrepresentable', this volume seeks to redefine the singular challenges this event presents to filmmakers, suggesting that filmic representations address the Holocaust as much through what they leave unseen - through silences and ellipses - as through what they visualise directly. Discussing films such as Kapo (1960), Shoah (1985)...

Britain has long been recognised for its proud contribution to documentary cinema, yet its long tradition of scientific and medical documentaries remains underrepresented in the literature on nonfiction film. Films of Fact is the first in-depth history of the genre, which began with amateur hobbyists in the early twentieth century, played a key role in government postwar health programmes, and became a treasured part of popular culture with BBC2's Horizon and the programming of Channel 4. Central to the narrative is Paul Rotha, a pioneering advocate of science broadcasting of...

Vision On narrates the turbulent yet distinguished history of one of the fundamental pillars of British broadcasting--the arts. This volume chronicles the years of dynamic and often controversial collaboration between broadcasters and the Arts Council, a key player in bringing art films to the wider public audience. Beginning with the earliest TV documentaries, the arts became central to the remit of public broadcasters, and by the 1980s Channel 4 and the Arts Council were boldly redefining the relationship of the arts and the media by commissioning and airing exclusive and innovative...