The most internationally renowned of Irish film directors, Neil Jordan's diverse work has spanned gothic horror (The Company of Wolves, 1984, and Interview with the Vampire, 1994), Irish history (Michael Collins, 1996), literary adaptation (The End of the Affair, 1999) and sexual identity (The Crying Game, 1992, and Breakfast on Pluto, 2005), while retaining a distinctive stylistic flair for fantasy and the carnivalesque. The Cinema of Neil Jordan discusses his entire output as part of the first comprehensive study of Jordan's career, looking...

The Cinema of Jan Svankmajer explores the legacy of this legendary Czech surrealist filmmaker, a key influence on directors such as Terry Gilliam and Tim Burton, and one of the greatest animators in cinema history. This updated second edition - still the only full-length study of his work--features contributions from scholars and colleagues within the Czech Surrealist movement, as well as a new chapter on Svankmajer's feature films and an extended interview with Svankmajer himself. This volume is required reading for all budding animators and disciples of surrealism.

Building Bridges: The Cinema of Jean Rouch is the first title to fully explore the work and legacy of French documentary-maker Jean Rouch. A figure as comfortable in front of the camera as behind it, Rouch created some of the most enduring sociological films about French and francophone African culture, and his playful documentaries make him the spiritual ancestor of filmmakers such as Nick Broomfield and Michael Moore, and a precursor to the world of Big Brother and reality TV. Based on a major inter-national conference, this study contains over twenty new essays from a global cast of...

The family unit has been a central theme in movies since the earliest days of the medium- whether as a locus of domestic bliss, a dysfunctional source of drama, a collection of comic personalities or an inferno of repressed feelings. This new anthology brings the subject into sharp focus, collecting a range of multidisciplinary perspectives that attempt to directly penetrate the questions raised by the role of the family onscreen. Discussing a wide range of contemporary and classic films, from House of Strangers (1949) and Mary Poppins (1964) to Superstar (1987), The...

One of the most important movements in cinema history, the French New Wave of directors such as Jean-Luc Godard and Alain Resnais not only revitalised French cinema, but permanently shifted cinema's aesthetic horizons by incorporating the narrative complexities of emerging modernist literature such as Alain Robbe-Grillet, Marguerite Duras and Jean Cayrol. This volume is the first title to comprehensively analyse these links between the New Wave and the New Novel, exploring intellectual figures such as Roland Barthes and Jorge Luis Borges, and their relationship with French cinema and its...