Kategoria BISAC: Performing Arts >> Theater - History & Criticism

In this fascinating volume, acclaimed theatre historian Erika Fischer-Lichte reflects on the role and meaning accorded to the theme of sacrifice in Western cultures as mirrored in particular fusions of theatre and ritual. Theatre, Sacrifice, Ritual presents a radical re-definition of ritual theatre through analysis of performances as diverse as:

• Max Reinhardt's new people's theatre
• the mass spectacles of post-revolutionary Russia
• American Zionist pageants
• the Olympic Games.

In offering both a performative and a semiotic...

This ground-breaking anthology is the first to be dedicated to assessing critically the role of the human sensorium in performance.

Senses in Performance presents a multifaceted approach to the methodological, theoretical, practical and historical challenges facing the scholar and the artist. This volume examines the subtle actions of the human senses including taste, touch, smell and vision in all sorts of performances in Western and non-Western traditions, from ritual to theatre, from dance to interactive architecture, from performance art to historical opera.

With eighteen...

Indian Folk Theatres is theatre anthropology as a lived experience, containing detailed accounts of recent folk theatre shows as well as historical and cultural context. It looks at folk theatre forms from three corners of the Indian subcontinent:

• Tamasha, song and dance entertainments from Maharastra
• Chhau, the lyrical dance theatre of Bihar
• Theru Koothu, satirical, ritualised epics from Tamil Nadu.

The contrasting styles and contents are depicted with a strongly practical bias, harnessing expertise from practitioners, anthropologists...

Providing new insight into the well-known tradition of acting, Science and the Stanislavsky Tradition of Acting is the first book to contextualise the Stanislavsky tradition with reference to parallel developments in science. Rooted in practice, it presents an alternative perspective based on philosophy, physics, romantic science and theories of industrial management.

Working from historical and archive material, as well as practical sources, Jonathan Pitches traces an evolutionary journey of actor training from the roots of the Russian tradition, Konstantin Stanislavsky,...

This pioneering study is one of the major publications in the increasingly popular and largely undocumented area of circus studies.

Through photographs and illustrations, Peta Tait presents an extraordinary survey of 140 years of trapeze acts and the socially changing ideas of muscular action in relation to our understanding of gender and sexuality. She questions how spectators see and enjoy aerial actions, and what cultural identities are presented by bodies in fast, physical aerial movement.

Adeptly locating aerial performance within the wider cultural...

Through specific examples, case studies and essays by specialist writers, academics, and a new generation of theatre researchers, this collection of specially commissioned essays looks at current theatre practices across Europe.

From Theatre du Soleil to Societas Raffaello Sanzio, the authors reconsider the possibilities of theatre practice, its relation to history and location and its place in Europe at the turn of the twenty-first century.

Contemporary Theatres in Europe examines a wide range of topics including:

• mainstream...

Through specific examples, case studies and essays by specialist writers, academics, and a new generation of theatre researchers, this collection of specially commissioned essays looks at current theatre practices across Europe.

From Theatre du Soleil to Societas Raffaello Sanzio, the authors reconsider the possibilities of theatre practice, its relation to history and location and its place in Europe at the turn of the twenty-first century.

Contemporary Theatres in Europe examines a wide range of topics including:

• mainstream...

Leon Rubin and I Nyoman Sedana, both international theatre professionals as well as scholars, collaborate to give an understanding of performance culture in Bali from inside and out.

The book describes four specific forms of contemporary performance that are unique to Bali:

• Wayang shadow-puppet theatre
• Sanghyang ritual trance performance
• Gambuh classical dance-drama
• the virtuoso art of Topeng masked theatre.

These culturally unique and beautiful theatrical events are contextualised within religious, intellectual and social backgrounds to...