Through specific examples, case studies and essays by specialist writers, academics, and a new generation of theatre researchers, this collection of specially commissioned essays looks at current theatre practices across Europe.
From Theatre du Soleil to Societas Raffaello Sanzio, the authors reconsider the possibilities of theatre practice, its relation to history and location and its place in Europe at the turn of the twenty-first century.
Contemporary Theatres in Europe examines a wide range of topics including:
mainstream...
Through specific examples, case studies and essays by specialist writers, academics, and a new generation of theatre researchers, this collection o...
Through specific examples, case studies and essays by specialist writers, academics, and a new generation of theatre researchers, this collection of specially commissioned essays looks at current theatre practices across Europe.
From Theatre du Soleil to Societas Raffaello Sanzio, the authors reconsider the possibilities of theatre practice, its relation to history and location and its place in Europe at the turn of the twenty-first century.
Contemporary Theatres in Europe examines a wide range of topics including:
mainstream...
Through specific examples, case studies and essays by specialist writers, academics, and a new generation of theatre researchers, this collection o...
Why do actors get stage fright? What is so embarrassing about joining in? Why not work with animals and children, and why is it so hard not to collapse into helpless laughter when things go wrong? In trying to answer these questions - usually ignored by theatre scholarship but of enduring interest to theatre professionals and audiences alike - Nicholas Ridout attempts to explain the relationship between these apparently unwanted and anomalous phenomena and the wider social and political meanings of the modern theatre. This book focuses on the theatrical encounter - those events in which actor...
Why do actors get stage fright? What is so embarrassing about joining in? Why not work with animals and children, and why is it so hard not to collaps...
Why do actors get stage fright? What is so embarrassing about joining in? Why not work with animals and children, and why is it so hard not to collapse into helpless laughter when things go wrong? In trying to answer these questions - usually ignored by theatre scholarship but of enduring interest to theatre professionals and audiences alike - Nicholas Ridout attempts to explain the relationship between these apparently unwanted and anomalous phenomena and the wider social and political meanings of the modern theatre. This book focuses on the theatrical encounter - those events in which actor...
Why do actors get stage fright? What is so embarrassing about joining in? Why not work with animals and children, and why is it so hard not to collaps...
A study of the Sultanate of Oman, painting a portrait of a nation through its diplomacy. Drawing on key research into Omani religious and social traditions, and ethnographic studies into Omani language and customs, this is the first book to connect Oman's international relations to its history, culture and social organisation. From colonial narratives and Cold War calculations to Iranian-US relations and the Middle East peace process, Oman has played an essential role in global diplomacy and international relations. For Oman, the idea of diplomacy refers not only to the country's interactions...
A study of the Sultanate of Oman, painting a portrait of a nation through its diplomacy. Drawing on key research into Omani religious and social tradi...
