Kategoria BISAC: Performing Arts >> Film - History & Criticism

Brazilian cinema is one of the most influential national cinemas in Latin America and this wide-ranging study traces the evolution of Brazilian film from the silent era to the present day, including detailed studies of more recent international box-office hits, such as Central Station (1998) and City of God (2002).

Brazilian National Cinema gives due importance to traditionally overlooked aspects of Brazilian cinema, such as popular genres, ranging from musical comedies (the chanchada) to soft-core porn films (the pornochanchada) and...

Brazilian cinema is one of the most influential national cinemas in Latin America and this wide-ranging study traces the evolution of Brazilian film from the silent era to the present day, including detailed studies of more recent international box-office hits, such as Central Station (1998) and City of God (2002).

Brazilian National Cinema gives due importance to traditionally overlooked aspects of Brazilian cinema, such as popular genres, ranging from musical comedies (the chanchada) to soft-core porn films (the pornochanchada) and...

Writing with his customary wit and style, Richard Dyer argues that while pastiche can be used to describe works which contain montage or collage, it can also be used to describe works which are a kind of imitation of previous works.

Investigating a wide range of cultural texts drawn from films, videos, novels, poetry, rap tracks, music and painting, Richard Dyer explores issues of text, genre, and the use of pastiche as a resource within a work. The final chapter draws together the underlying concern of the book with affect and poetics and discusses the politics of pastiche.

From the growth in merchandising and product placement to the rise of the movie franchise, branding has become central to the modern blockbuster economy. In a wide-ranging analysis focusing on companies such as Disney, Dolby, Paramount, New Line and, in particular, Warner Bros., Brand Hollywood provides the first sustained examination of the will-to-brand in the contemporary movie business. Outlining changes in the marketing and media environment during the 1990s and 2000s, Paul Grainge explores how the logic of branding has propelled specific kinds of approach to the status and...

Discussing such classic films as Sergeant York, Air Force, and All Quiet on the Western Front, as well as more modern blockbusters like Apocalypse Now and Saving Private Ryan, this outstanding volume focuses on Hollywood and its production of war films.

Topics covered include:

• the early formation of war cinema


• the apotheosis of the Hollywood war film


• the ascendancy of ambivalence


• Hollywood and the war since Vietnam


• war as a way of seeing.

For any student of film studies or American cultural studies, this...

Discussing such classic films as Sergeant York, Air Force, and All Quiet on the Western Front, as well as more modern blockbusters like Apocalypse Now and Saving Private Ryan, this outstanding volume focuses on Hollywood and its production of war films.

Topics covered include:

• the early formation of war cinema
• the apotheosis of the Hollywood war film
• the ascendancy of ambivalence
• Hollywood and the war since Vietnam
• war as a way of seeing.

For any student of film...

Transnational Cinema: The Film Reader provides an overview of the key concepts and debates within the developing field of transnational cinema.

Bringing together seminal essays from a wide range of sources, this volume engages with films that fashion their narrative and aesthetic dynamics in relation to more than one national or cultural community. The reader is divided into four sections:

• From National to Transnational Cinema
• Global Cinema in the Digital Age
• Motion Pictures: Film, Migration and Diaspora
• Tourists and...

This fourth edition of our bestselling text has been comprehensively updated and revised to include contemporary film analysis and recent films.

With a focus on contemporary popular cinema and examples from Classical Hollywood, Graeme Turner examines the social and cultural aspects of film from audiences and ideologies to exhibition and technology.

This fourth edition now includes:

• new sections dealing with debates about spectacle and special effects
• an extended treatment of sound and its contribution to cinema
• film theory 's discussion of the representation of...

In China, unlike in Western cinema, documentary film, rather than fiction film, has been the dominant mode since 1949. In recent years, documentary TV programmes have experienced a meteoric rise. Arguing that there is a gradual process of 'democratization' in the media, in which documentaries play a significant role, this book discusses various types of Chinese documentaries, under both the planned and the market economy. It especially explores the relationship between documentaries and society, showing how, under the market economy, although the government continues to use the genre as...

Drawing a comparison between religion and cinema-going, this text examines a range of contemporary films in relation to key theological concepts. Cinema as a religion-like activity is explored through cognitive, affective, aesthetic and ethical levels, identifying the religious aspects in the social practice of cinema-going.

Written by a leading expert in the field, Theology Goes to the Movies analyzes:

• the role of cinema and Church in Western culture
• the power of Christian symbols and images within popular culture
• theological concepts of...

Drawing a comparison between religion and cinema-going, this text examines a range of contemporary films in relation to key theological concepts. Cinema as a religion-like activity is explored through cognitive, affective, aesthetic and ethical levels, identifying the religious aspects in the social practice of cinema-going.

Written by a leading expert in the field, Theology Goes to the Movies analyzes:

• the role of cinema and Church in Western culture
• the power of Christian symbols and images within popular culture
• theological concepts of...

Screen, Culture, Psyche illuminates recent developments in Jungian modes of media analysis, and illustrates how psychoanalytic theories have been adapted to allow for the interpretation of films and television programmes, employing Post-Jungian methods in the deep reading of a whole range of films. Readings of this kind can demonstrate the way that some films bear the psychological projections not only of their makers but of their audience, and assess the manner in which films engage the writer's own psyche. Seeking to go beyond existing theories, John Izod explores the question...

In recent years, with the establishment of the Hong Kong Film Archive and growing scholarly interest in the history of Hong Kong cinema, previously neglected historical documents and difficult-to-access films have offered new research materials. As Hong Kong film history comes into sharper focus, its inextricable links across the decades to Southeast Asia, Korea, Japan, the United States, and to the far reaches of the Chinese diaspora have also become more evident. Hong Kong's connection with Hollywood involves ties that bring together art cinema and popular genres as well as film...

Screening World Cinema brings together a selection of the best articles on the topic of world cinema published in the esteemed Screen journal.

Available in one volume for the first time, this collection allows readers to cross-reference debates and essays that have ranged across many issues of Screen. Themes addressed include:

• the problem of defining world cinema
• the relationship between first and third cinema and criticism
• issues of modernity and modernization
• questions of national and transnational cinema.

With a selection of articles on key...

Screening World Cinema brings together a selection of the best articles on the topic of world cinema published in the esteemed Screen journal.

Available in one volume for the first time, this collection allows readers to cross-reference debates and essays that have ranged across many issues of Screen. Themes addressed include:

• the problem of defining 'world cinema'
• the relationship between 'first' and 'third' cinema and criticism
• issues of modernity and modernization
• questions of national and transnational...

Queer Screen: A Screen Reader brings together a selection of key articles on queer cinema published over the past two decades in the internationally renowned journal, Screen, with new introductory editorial material from Jackie Stacey and Sarah Street.

Queer Screen features scholarship which has contributed to the emergence of queer theory in the field of screen studies during the last fifteen years, demonstrating how writers in Screen have contributed to developments in queer theory as it relates to a wide range of popular and experimental films and...

Queer Screen: A Screen Reader brings together a selection of key articles on queer cinema published over the past two decades in the internationally renowned journal, Screen, with new introductory editorial material from Jackie Stacey and Sarah Street.

Queer Screen features scholarship which has contributed to the emergence of queer theory in the field of screen studies during the last fifteen years, demonstrating how writers in Screen have contributed to developments in queer theory as it relates to a wide range of popular and experimental films and...

German National Cinema is the first comprehensive history of German film from its origins to the present. In this new edition, Sabine Hake discusses film-making in economic, political, social, and cultural terms, and considers the contribution of Germany's most popular films to changing definitions of genre, authorship, and film form.

The book traces the central role of cinema in the nation's turbulent history from the Wilhelmine Empire to the Berlin Republic, with special attention paid to the competing demands of film as art, entertainment, and propaganda. Hake also...

Projected Shadows presents a new collection of essays exploring films from a psychoanalytic perspective, focusing specifically on the representation of loss in European cinema. This theme is discussed in its many aspects, including: loss of hope and innocence, of youth, of consciousness, of freedom and loss through death. Many other themes familiar to psychoanalytic discourse are explored in the process, such as:

• Establishment and resolution of Oedipal conflicts
• Representation of pathological characters on the screen
• Use of unconscious defence...

Projected Shadows presents a new collection of essays exploring films from a psychoanalytic perspective, focusing specifically on the representation of loss in European cinema. This theme is discussed in its many aspects, including: loss of hope and innocence, of youth, of consciousness, of freedom and loss through death. Many other themes familiar to psychoanalytic discourse are explored in the process, such as:

• Establishment and resolution of Oedipal conflicts
• Representation of pathological characters on the screen
• Use of unconscious defence...