Kategoria BISAC: Literary Criticism >> Shakespeare

A thoroughly revised edition of the successful student text Doing Shakespeare, first published in 2005. The book's success lies in the close readings of speeches and scenes it gives students, demystifying the language of the plays and critical approaches to them.

This new edition introduces a new way of approaching Shakespeare's text, through ideas of performance and the actor's role and restructures the content to make it easier to navigate, with clear signposting throughout, guiding students to the content most useful to them.

Simon Palfrey takes a direct approach to...

Arden Student Guides: Language and Writing offer a new type of study aid which combines lively critical insight with practical guidance on the critical writing skills you need to develop in order to engage fully with Shakespeare's texts. The books' core focus is on language: both understanding and enjoying Shakespeare's complex dramatic language, and expanding your own critical vocabulary, as you respond to his plays.

Key features include:

- an introduction considering when and how the play was written, addressing the language with which Shakespeare created his work,...

Arden Student Guides: Language and Writing offer a new type of study aid which combines lively critical insight with practical guidance on the critical writing skills you need to develop in order to engage fully with Shakespeare's texts. The books' core focus is on language: both understanding and enjoying Shakespeare's complex dramatic language, and expanding your own critical vocabulary, as you respond to his plays.

Key features include:

an introduction considering when and how the play was written, addressing the language with which Shakespeare created his work, as...

This landmark collection of newly-commissioned essays by leading international scholars, offers expert close readings of Shakespeare and other early modern authors. The book is an intervention into current critical methodology as well as an invaluable tool for all students of the literature of the period, exemplifying the possibilities of close reading in the hands of a range of gifted practitioners. Chapters cover a range of key texts from Shakespeare and other major writers of the period such as Milton, Donne, Jonson and Sidney.

This is a unique collection as no other book offers...

Hamlet is the most studied and performed of Shakespeare's tragedies. This accessible introduction offers a springboard into the play, taking a hands-on, performance-based approach, exploring the challenges and the rewards it presents to actors, audiences and students.

Springboard Shakespeare: Hamlet has a three-part structure: whether you're watching or reading, Ben Crystal takes you through exactly what you need to know Before, During and After the play. He combines a genuine passion and understanding of Shakespeare with his experience as an actor, giving the...

Helen Cooper's unique study examines how continuations of medieval culture into the early modern period, forged Shakespeare's development as a dramatist and poet. Medieval culture pervaded his life and work, from his childhood, spent within reach of the last performances of the Coventry Corpus Christi plays, to his dramatisation of Chaucer in The Two Noble Kinsmen three years before his death. The world he lived in was still largely a medieval one, in its topography and its institutions. The language he spoke had been forged over the centuries since the Norman Conquest. The genres...

Women Making Shakespeare presents a series of 20-25 short essays that draw on a variety of resources, including interviews with directors, actors, and other performance practitioners, to explore the place (or constitutive absence) of women in the Shakespearean text and in the history of Shakespearean reception - the many ways women, working individually or in communities, have shaped and transformed the reception, performance, and teaching of Shakespeare from the 17th century to the present.

The book highlights the essential role Shakespeare's texts have played in the...

A Year of Shakespeare gives a uniquely comprehensive, expert and exciting overview of the largest Shakespeare festival the world has ever known: The World Shakespeare Festival, 2012. This is the only book fully to document all 74 productions which formed part of the Festival in 2012 through well-informed, lively and accessible reviews and other short pieces of related interest.
From a Lithuaninan Hamlet, an Israeli Merchant of Venice and Jonathan Pryce's King Lear, this is a rich resource of critical interest to all students and scholars of Shakespeare in...

The video-sharing platform YouTube signals exciting opportunities and challenges for Shakespeare studies. As patron, distributor and archive, YouTube occasions new forms of user-generated Shakespeares, yet a reduced Bard too, subject to the distractions of the contemporary networked mediascape.

This book identifies the genres of YouTube Shakespeare, interpreting them through theories of remediation and media convergence and as indices of Shakespeare's shifting cultural meanings. Exploring the intersection of YouTube's participatory culture - its invitation to 'Broadcast Yourself' -...

Hamlet's Dreams brings together the Robben Island Prison of Nelson Mandela and the prison that is Denmark for Shakespeare's Hamlet. David Shalkwyk uses the circulation of the so-called 'Robben Island Shakespeare', a copy of the Alexander edition of the Complete Works that was secretly circulated, annotated and signed by a group of Robben Island political prisoner in the 1970s (including Nelson Mandela), to examine the representation and experience of imprisonment in South African prison memoirs and Shakespeare's Hamlet. It looks at the ways in which oppressive spaces or...

Wooden Os is a study of the presence of trees and wood in the drama of Shakespeare and his contemporaries - in plays set within forests, in character dialogue, and in props and theatre constructions. Vin Nardizzi connects these themes to the dependence, and surprising ecological impact, of London's commercial theatre industry on England's woodlands, the primary resource required to build all structures in early modern England.

Wooden Os situates the theatre within an environmental history that witnessed a perceived scarcity of wood and timber that drove up prices,...