Kategoria BISAC: Literary Criticism >> Shakespeare

Over the last 20 years, the concept of 'economic' activity has come to seem inseparable from psychological, semiotic and ideological experiences. In fact, the notion of the 'economy' as a discrete area of life seems increasingly implausible. This returns us to the situation of Shakespeare's England, where the financial had yet to be differentiated from other forms of representation. This book shows how concepts and concerns that were until recently considered purely economic affected the entire range of sixteenth and seventeenth century life.

Using the work of such critics as...

To Kuzner, Shakespeare's skepticism doesn't have the enabling potential of Keats's...

Includes: 15 Illustrations and Biography

Macbeth (full title The Tragedy of Macbeth) is a tragedy written by William Shakespeare, and is considered one of his darkest and most powerful works. Set in Scotland, the play illustrates the damaging physical and psychological effects of political ambition on those who seek power for its own sake.

The play is believed to have been written between 1599 and 1606, and is most commonly dated 1606. The earliest account of a performance of what was probably Shakespeare's play is the Summer of...

During the Renaissance, moral philosophy came to permeate the minds of many, including the spectators that poured into Shakespeare's Globe theatre. Examining these strains of thought that formed the basis for humanism, Raspa delves into King Lear, Hamlet, among others to unlock what influence this had on both Shakespeare and his interpreters.

This book is the first to explore the rich archive of Shakespeare in Indian cinemas, including less familiar, Indian language cinemas to contribute to the assessment of the expanding repertoire of Shakespeare films worldwide. Essays cover mainstream and regional Indian cinemas such as the better known Tamil and Kannada, as well as the less familiar regions of the North Eastern states. The volume visits diverse filmic genres, starting from the earliest silent cinema, to diasporic films made for global audiences, television films, independent films, and documentaries, thus expanding the very...

Three plays analyzed from a Jungian perspective and a fresh wit, catching many contemporary nuances in these well-loved plays and their continuing relevance for today.

Barbara Rogers-Gardner has a Ph.D. in comparative literature from Rutgers University and has published two novels as well as numerous scholarly articles. She has taught at Ramapo College of New Jersey, the University of California, Santa Barbara, and is now a member of the faculty at Pacifica Graduate Institute, a center for the study of Depth Psychology.

From the book:...