Kategoria BISAC: Literary Criticism >> Shakespeare

Debate has swirled for years around that most significant of literary problems, the authorship of Shakespeare's works. Now Edward de Vere, the 17th Earl of Oxford, a recognized poet and playwright, has eclipsed Bacon, Marlowe, and all the other candidates for authorship honors. Lengthy and specialized studies have detailed the historico-literary case for Oxford and against the man from Stratford-on-Avon . . . Shakespeare: Who Was He? is the first book to give the general reader a clear, readable, concise analysis of the arguments for both men. Most intriguing are the many direct parallels...

While gaps in the biographical record for William Shakespeare continue to confound literary scholars, McCrea here concludes that he was, indeed, the playwright and poet we have always thought him to be. This literary forensics case follows the trail of evidence in the historical record and in the plays and poems themselves. It investigates the counterclaims for other authors and the suppositions that the real author of the works must have been a soldier, a scholar, a lawyer, a courtier, and a traveler to Italy. In spirited and fascinating detail, McCrea carefully takes apart the case for...

Working from the perspective of the new economic criticism, this study uses close reading and historical contextualization to examine the relationship between interpersonal relationships and economics in the plays of Shakespeare.

Based on extensive archival research, this study offers an entirely new perspective on popular Shakespeare reception by focusing on articles published in Victorian periodicals. Shakespeare had already reached the apex of British culture in the previous century, becoming the national poet of the middle and upper classes, but during the Victorian era he was embraced by more marginal groups. If Shakespeare was sometimes employed as an instrument of enculturation, imposed on these groups, he was also used by them to resist this cultural hegemony.

This volume offers a wealth of critical analysis, supported with ample historical and bibliographical information about one of Shakespeare's most enduringly popular and globally influential plays. Its eighteen new chapters represent a broad spectrum of current scholarly and interpretive approaches, from historicist criticism to performance theory to cultural studies. A substantial section addresses early modern themes, with attention to the protagonists and the discourses of politics, class, gender, the emotions, and the economy, along with discussions of significant 'minor' characters and...

In Shakespeare and the Problem of Adaptation, Margaret Jane Kidnie presents a rigorous and engaging exploration of what it is that distinguishes the Shakespearean work from its apparent other, the adaptation. Kidnie brings current debates in performance criticism into contact with recent developments in textual studies to show that the mutually defining categories of work and adaptation are unfixed, the products of ongoing and sometimes conflicting debates, arguments, and desires. Adaptation emerges as the conceptually necessary but culturally fraught category that results from...