Kategoria BISAC: Literary Criticism >> Shakespeare

- examines the play's sources and its cultural context
- offers a detailed theatrical commentary that aids visualisation of the underlying dynamics and structure of the play in performance, and explores performance possibilities
- analyses influential productions...

A.C. Bradley, Professor of Poetry at the University of Oxford, was the foremost Shakespearean scholar of the early twentieth century. His study of the four great tragedies, Hamlet, Othello, King Lear, and Macbeth, was a major breakthrough in its time and has remained a standard text ever since.

The light Bradley throws on many of the plays' most famous problems is continually surprising and illuminating, such as his famous explanation of melancholy as the cause of Hamlet's delay, and his...

This volume offers a wealth of critical analysis, supported with ample historical and bibliographical information about one of Shakespeare's most enduringly popular and globally influential plays. Its eighteen new chapters represent a broad spectrum of current scholarly and interpretive approaches, from historicist criticism to performance theory to cultural studies. A substantial section addresses early modern themes, with attention to the protagonists and the discourses of politics, class, gender, the emotions, and the economy, along with discussions of significant 'minor' characters and...

Open-space Learning offers a unique resource to educators wishing to develop a workshop model of teaching and learning. The authors propose an embodied, performative mode of learning that challenges the primacy of the lecture and seminar model in higher education. Drawing on the expertise of the CAPITAL Centre (Creativity and Performance in Teaching and Learning) at the University of Warwick, they show how pedagogic techniques developed from the theatrical rehearsal room may be applied effectively across a wide range of disciplines.

The book offers rich case-study materials,...

First published in 1990, this title explores the nature of the interaction between Shakespeare and American culture. Shakespeare stands at the center of an elaborate institutional reality, closely tied to both cultural and ideological production. His plays, Michael Bristol asserts, help to constitute a primary affirmative theme of much American culture criticism, specifically the celebration of individuality and the values of expressive autonomy. This reissue will be of particular value to Literature students and researchers with an interest in Shakespeare, as well as those interested in...