First published in 1970. This book examines the areas of plays that are dependent upon the art of the theatre and the fluidity of interpretation to which this gives rise. It discusses the printing of plays and the limited attempts that have have been made to convey theatrical experience, taking as a particular example a masque by Ben Jonson. Finally, some of the problems created by the instability of theatrical art

Edited by Stanley Wells and Lena Cowen Orlin, this stimulating and comprehensive guide to Shakespeare is an ideal text for undergraduate students. It includes over forty specially commissioned essays by an outstanding team of scholars. Each essay is written in an accessible and engaging style and is followed by annotated suggestions for further reading.
Shakespeare: An Oxford Guide is divided into four key parts. Part One offers concise introductions to the literary and historical contexts in which Shakespeare lived and worked. It covers the society, culture, language, theatre,...

Here is a lively look at how Shakespeare's treatment of human sexuality in his plays and poems relates to the sexual conventions, sexual mores, and actual sexual behaviors of his day.
Pre-eminent Shakespeare critic Stanley Wells draws on historical and anecdotal sources to present an illuminating account of sexual behavior--and its consequences--in Shakespeare's time, particularly in Stratford-upon-Avon and London. Shakespeare's Stratford was a hotbed of small-town gossip; the town's records reveal many cases of slander involving accusations of cuckoldry and whoredom, as well as many...

This volume presents a winning selection of the very best essays from the long and distinguished career of Stanley Wells, one of the most well-known and respected Shakespeare scholars in the world. Wells's accomplishments include editing the entire canon of Shakespeare plays for the ground-breaking Oxford Shakespeare and over his lifetime, Wells has made significant contributions to debates over literary criticism of the works, genre study, textual theory, Shakespeare's afterlife in the theatre, and contemporary performance. The volume is introduced by Peter Holland and its thirty...

Great Shakespeare Actors offers a series of essays on great Shakespeare actors from his time to ours, starting by asking whether Shakespeare himself was the first--the answer is No--and continuing with essays on the men and women who have given great stage performances in his plays from Elizabethan times to our own. They include both English and American performers such as David Garrick, Sarah Siddons, Charlotte Cushman, Ira Aldridge, Edwin Booth, Henry Irving, Ellen Terry, Edith Evans, Laurence Olivier, John Gielgud, Ralph Richardson, Peggy Ashcroft, Janet Suzman, Judi Dench, Ian...