Kategoria BISAC: Literary Criticism >> Shakespeare

This book restores the rich tradition of the Sibyls to the position of prominence they once held in the culture and society of the English Renaissance. The sibyls - figures from classical antiquity - played important roles in literature, scholarship and art of the period, exerting a powerful authority due to their centuries-old connection to prophetic declamations of the coming of Christ and the Apocalypse. The identity of the sibyls, however, was not limited to this particular aspect of their fame, but contained a fluid multi-layering of meanings given their prominence in ancient Greek...

In both feminist theory and Shakespearean criticism, questions of sexuality have consistently been conflated with questions of gender. First published in 1992, this book details the intersections and contradictions between sexuality and gender in the early modern period. Valerie Traub argues that desire and anxiety together constitute the erotic in Shakespearean drama - circulating throughout the dramatic texts, traversing 'masculine' and 'feminine' sites, eliciting and expressing heterosexual and homoerotic fantasies, embodiments, and fears. This is the first book to present a...

For producers and directors planning a production, several questions inevitably arise: Which play is appropriate for the contemporary audience? Should the text and setting be altered? Twelve leading contemporary directors answer these questions in interviews in this book and shed light on what Shakespeare means to them and to their audiences. Originally published in 1977.

This volume combines two classic works on Hamlet, first published in 1919 and 1922.

The first book's original description says that it contains a theory which attempts to explain an everlasting problem - it insists that Hamlet is neither a failure not an accident, but a very great work of art. In a final chapter, the play is examined as an aesthetic document. It is a profoundly interesting and not unprovocative work.

The second book reviews and attempts to resolve the most interesting debate of any Shakespeare play and presents proper method for investigating the genesis of...

The Renaissance and the Postmodern reconsiders postmodern readings of Renaissance texts by engaging in a dialectics the authors call comparative critical values. Rather than concede the contemporary hierarchy of theory over literature, the book takes the novel approach of consulting major Renaissance writers about the values at work in postmodern representations of early modern culture. As criticism seeks new directions and takes new forms, insufficient attention has been paid to the literary and philosophical values won and lost in the exchanges. One result is that the way we understand...

This volume investigates the early modern understanding of twinship through new readings of plays, informed by discussions of twins appearing in such literature as anatomy tracts, midwifery manuals, monstrous birth broadsides, and chapbooks. The book contextualizes such dramatic representations of twinship, investigating contemporary discussions about twins in medical and popular literature and how such dialogues resonate with the twin characters appearing on the early modern stage. Garofalo demonstrates that, in this period, twin births were viewed as biologically aberrant and, because of...

Shakespeare's engagement with anti-Semitic tradition is a notoriously disturbing feature of The Merchant of Venice. Douglas Lanier carefully shows how Shakespeare shuttles between language that emphasises irreconcilable differences, and language that emphasizes common humanity, and how you can productively analyse this language for yourself.The language of business-of monetary value, money-making, profit and loss, risk and reward-invades nearly all other issues and themes in The Merchant of Venice, and can also be challenging to grasp. This guide shows how to unpick this...

Shakespeare's engagement with anti-Semitic tradition is a notoriously disturbing feature of The Merchant of Venice. Douglas Lanier carefully shows how Shakespeare shuttles between language that emphasises irreconcilable differences, and language that emphasizes common humanity, and how you can productively analyse this language for yourself.The language of business-of monetary value, money-making, profit and loss, risk and reward-invades nearly all other issues and themes in The Merchant of Venice, and can also be challenging to grasp. This guide shows how to unpick this...