Each of Shakespeare's plays is in a continuous state of development in performance. This text examines major changes whilst focusing on six plays in detail: Coriolanus, Measure for Measure, Troilus and Cressida, Henry V, Hamlet and Twelfth Night.
Each of Shakespeare's plays is in a continuous state of development in performance. This text examines major changes whilst focusing on six plays in d...
Setting out in clear terms the main tasks of doing a research project, this volume covers: choosing a topic, using the library, taking notes, shaping and composing, pitfalls, references and bibliography as well as a new chapter on the Internet.
Setting out in clear terms the main tasks of doing a research project, this volume covers: choosing a topic, using the library, taking notes, shaping ...
In this lucid and original study, first published in 1972, Ralph Berry discusses the ten comedies that run from The Comedy of Errors to Twelfth Night. Berry's purpose is to identify the form of each play by relating the governing idea of the play to the action that expresses it. To this end the author employs a variety of standpoints and techniques, and taken together, these chapters present a lively and coherent view of Shakespeare's techniques, concerns, and development. This title will be of interests to students of literature and drama.
In this lucid and original study, first published in 1972, Ralph Berry discusses the ten comedies that run from The Comedy of Errors to T...
The Art of John Webster, first published in 1972, is a study of the three extant plays of Webster known to be solely his work. These plays are seen as attempts to achieve in literature the effects of the baroque, a term which related Webster to the larger developments of European art. Their content is analysed in terms of a consistent opposition between evil and the law. The book seeks to re-establish a base for the claims that must be made for Webster as a serious artist. This title will be of interest to students of literature and drama.
The Art of John Webster, first published in 1972, is a study of the three extant plays of Webster known to be solely his work. These plays...
Few playwrights have been more slandered, abused or honoured in performance than William Shakespeare.
First published in 1992, this collection of 300 stories focuses on Shakespeare s plays on stage. Organised chronologically, it offers the reader the opportunity to witness the changes in theatrical approaches to Shakespeare from their own time to the present day.
This book will be of interest to those studying theatre, but also to those fascinated by the Shakespeare tradition.
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Few playwrights have been more slandered, abused or honoured in performance than William Shakespeare.
For producers and directors planning a production, several questions inevitably arise: Which play is appropriate for the contemporary audience? Should the text and setting be altered? Twelve leading contemporary directors answer these questions in interviews in this book and shed light on what Shakespeare means to them and to their audiences. Originally published in 1977.
For producers and directors planning a production, several questions inevitably arise: Which play is appropriate for the contemporary audience? Sho...
The Art of John Webster, first published in 1972, is a study of the three extant plays of Webster known to be solely his work. These plays are seen as attempts to achieve in literature the effects of the baroque, a term which related Webster to the larger developments of European art. Their content is analysed in terms of a consistent opposition between evil and the law. The book seeks to re-establish a base for the claims that must be made for Webster as a serious artist. This title will be of interest to students of literature and drama.
The Art of John Webster, first published in 1972, is a study of the three extant plays of Webster known to be solely his work. These plays...
First published in 1978, this book represents a study of the ways in which Shakespeare exploits the possibilities of metaphor. In a series of studies ranging from the early to the mature Shakespeare, the author concentrates on metaphor as a controlling structure — the extent to which a certain metaphoric idea informs and organises the drama. These studies turnconstantly tothe relations between symbol and metaphor, literal and figurative, and examine key plays such as Richard III, King John, Henry V, Romeo and Juliet, Troilus and Cressida, and Coriolanus. They also provide a key to The...
First published in 1978, this book represents a study of the ways in which Shakespeare exploits the possibilities of metaphor. In a series of studies ...
