Kategoria BISAC: Literary Criticism >> Asian - General

In this third of five volumes tracing the history of Japanese literature through Mishima Yukio, Jin'ichi Konishi portrays the high medieval period. Here he continues to examine the influence of Chinese literature on Japanese writers, addressing in particular reactions to Sung ideas, Zen Buddhism, and the ideal of literary vocation, michi. This volume focuses on three areas in which Konishi has long made distinctive contributions: court poetry (waka), featuring twelfth-and thirteenth-century works, especially those of Fujiwara Teika (1162-1241); standard linked poetry (renga), from its...

Socialist doctrines had an important influence on Korean writers and intellectuals of the early twentieth century. From the 1910s through the 1940s, a veritable wave of anarchist, Marxist, nationalist, and feminist leftist groups swept the cultural scene with differing agendas as well as shared demands for equality and social justice. In The Proletarian Wave, Sunyoung Park reconstructs the complex mosaic of colonial leftist culture by focusing on literature as its most fertile and enduring expression. The book combines a general overview of the literary left with the intellectual...

Band 2 ist die erste umfassende Darstellung der Entwicklung des chinesischen Romans der ausgehenden Kaiserzeit: vom 16. Jahrhundert bis 1911. Die wenigen auch im Westen bekannten herausragenden Beispiele wie "Der Traum der roten Kammer" oder "Jin Ping Mei" sind Teil einer bis ins 16. Jahrhundert zuruckreichenden Tradition. Thomas Zimmer analysiert die Entstehung der Romankunst in ihren verschiedenen Auspragungen, die textgeschichtlichen Bezuge sowie die Realisierung uber Jahrhunderte entwickelter Themen. Wegen der Anonymitat der Autoren und einer gewissen Randstandigkeit der Gattung liegt...

The essay, representing the original form of Chinese prose, emerged as masterly literary genre in the late Middle Ages. Next to the poem, the essay embodied the expression of the Chinese mind. In the course of history, it developed from a moral tool to a manifestation of joie de vivre. A leisurely look at the world is therefore the characteristic trait of the essay - well into modern times.

Die Japan-Bibliografie versucht erstmals, die deutschsprachige japankundliche Literatur moglichst vollstandig zu erfassen, bibliografisch exakt zu beschreiben und der Forschung und dem interessierten Laien in Buchform zuganglich zu machen. Band 1 der Reihe A beinhaltet zusatzlich Angaben zu Besitznachweisen. Alles Japan betreffende Material wurde erfasst: von der ersten Veroffentlichung im 15. Jahrhundert bis zur Gegenwart.

Monografien, Zeitschriften, Karten sind in der bereits abgeschlossenen Reihe A erschienen, Aufsatze folgen in Reihe B. Mehrere Indices erleichtern das...

Yi T'aejun, Ch'oe Myongik, Im Hwa, So Insik, Ch'oe Chaeso, Pak T'aewon, Kim Namch'on, and O Changhwan, among other Korean writers, lived through...

Dazai Osamu (1909-1948) is one of Japan's most famous literary suicides, known as the earliest postwar manifestation of the genuinely alienated writer in Japan. In this first deconstructive reading of a modern Japanese novelist, Alan Wolfe draws on contemporary Western literary and cultural theories and on a knowledge of Dazai's work in the context of Japanese literary history to provide a fresh view of major texts by this important literary figure. In the process, Wolfe revises Japanese as well as Western scholarship on Dazai and discovers new connections among suicide, autobiography,...

Fiction criticism has a long and influential history in pre-modern China, where critics would read and reread certain novels with a concentration and fervor far exceeding that which most Western critics give to individual works. This volume, a source book for the study of traditional Chinese fiction criticism from the late sixteenth to the early twentieth centuries, presents translations of writings taken from the commentary editions of six of the most important novels of pre-modern China. These translations consist mainly of tu-fa, or "how-to-read" essays, which demonstrate sensitivity...

Professor Levy explores the ritual origins of Japanese verse, the impact of Chinese and Korean literary influence on the seventh-century Court, and the rhetorical deification of the imperial family as the condition under which Hitomaro would begin his career as a Court poet.

Originally published in 1984.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while...

This book offers an in-depth investigation into the writings of one of modern Japan's most gifted poet-scholars, Nishiwaki Junzaburo (1894-1982), who has been compared to T. S. Eliot, R. M. Rilke, and Paul Valery. Exploring both his poetry and theoretical writings, Hosea Hirata describes how Nishiwaki, who wrote his first poems in English and French, shaped a highly influential poetic modernism in Japan while elevating the artistic status of translation. This volume includes Nishiwaki's highly original essays on the nature of poetry, his first two collections of Japanese poems, and a poem...

In a famous episode of the eighteenth-century masterpiece The Dream of the Red Chamber, the goddess Disenchantment introduces the hero, Pao-yu, to the splendors and dangers of the Illusory Realm of Great Void. The goddess, one of the divine women in Chinese literature who inspire contradictory impulses of attachment and detachment, tells Pao-yu that the purpose of his dream visit is "disenchantment through enchantment," or "enlightenment through love." Examining a range of genres from different periods, Wai-yee Li reveals the persistence of the dialectic embodied by the goddess:...

According to the contributors to this volume, the relationship of Buddhism and the arts in Japan is less the rendering of Buddhist philosophical ideas through artistic imagery than it is the development of concepts and expressions in a virtually inseparable unity. By challenging those who consider religion to be the primary phenomenon and art the secondary arena for the apprehension of religious meanings, these essays reveal the collapse of other dichotomies as well. Touching on works produced at every social level, they explore a fascinating set of connections within Japanese culture and...

In this major contribution to the study of the Chinese classics and comparative religion, John Henderson uses the history of exegesis to illuminate mental patterns that have universal and perennial significance for intellectual history. Henderson relates the Confucian commentarial tradition to other primary exegetical traditions, particularly the Homeric tradition, Vedanta, rabbinic Judaism, ancient and medieval Christian biblical exegesis, and Qur'anic exegesis. In making such comparisons, he discusses some basic assumptions common to all these traditions--such as that the classics or...

If the modern Western novel is linked to the rise of a literate bourgeoisie with particular social values and narrative expectations, to what extent can that history of the novel be anticipated in non-Western contexts? In this bold, insightful work Mary Layoun investigates the development of literary practice in the Greek, Arabic, and Japanese cultures, which initially considered the novel a foreign genre, a cultural accoutrement of "Western" influence. Offering a textual and contextual analysis of six novels representing early twentieth-century and contemporary literary fiction in these...