Kategoria BISAC: Literary Criticism >> Women Authors

Author of The House on Mango Street, which has sold more than two million copies in English alone, activist, MacArthur grant genius, figure of inspiration and controversy, Sandra Cisneros is unequivocally one of America's most important and much discussed contemporary literary figures. In a writing career that has spanned more than three decades, Cisneros has written acclaimed poetry and prose, including, My Wicked, Wicked Ways, Loose Woman, Woman Hollering Creek and Other Stories, and Caramelo, or, Puro Cuenta.

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Weaving strands of Chicana and Mexicana subjectivities, Toward a Latina Feminism of the Americas explores political and theoretical agendas, particularly those that undermine the patriarchy, across a diverse range of Latina authors. Within this range, calls for a coalition are clear, but questions surrounding the process of these revolutionary dialogues provide important lines of inquiry. Examining the works of authors such as Sandra Cisneros, Laura Esquivel, Carmen Boullosa, and Helena Maria Viramontes, Anna Sandoval considers resistance to traditional cultural symbols and...

The essays in this volume discuss narrative strategies employed by international writers when dealing with rape and sexual violence, whether in fiction, poetry, memoir, or drama. In developing these new feminist readings of rape narratives, the contributors aim to incorporate arguments about trauma and resistance in order to establish new dimensions of healing. This book makes a vital contribution to the fields of literary studies and feminism, since while other volumes have focused on retroactive portrayals of rape in literature, to date none has focused entirely on the subversive work...

Thinker, writer, diplomat, feminist Rosario Castellanos was emerging as one of Mexico's major literary figures before her untimely death in 1974. This sampler of her work brings together her major poems, short fiction, essays, and a three-act play, The Eternal Feminine. Translated with fidelity to language and cultural nuance, many of these works appear here in English for the first time, allowing English-speaking readers to see the depth and range of Castellanos' work.

In her introductory essay, "Reading Rosario Castellanos: Contexts, Voices, and Signs," Maureen Ahern...

Before the Civil War, American writers such as Catharine Maria Sedgwick and Harriet Beecher Stowe had established authorship as a respectable profession for women. But though they had written some of the most popular and influential novels of the century, they accepted the taboo against female writers, regarding themselves as educators and businesswomen. During and after the Civil War, some women writers began to challenge this view, seeing themselves as artists writing for themselves and for posterity.

Writing for Immortality studies the lives and works of four prominent...

Students, researchers, readers' advisors, and women's fiction fans will find a starting point for researching popular women's fiction authors and to find new ones with this practical guide. It includes entries for more than 70 leading contemporary and popular authors, listing print and online sources, as well as web sites for obtaining authoritative information. A special addition to this volume is the inclusion of "author read-alikes" for 15 of the featured authors. An appendix lists some of the classic forerunners of women's fiction.

By the time Ian Watt published The Rise of the Novel. in 1957, it was clear that many women novelists before Jane Austen had been overlooked in critical studies of literature and that some of them had been completely forgotten by the reading public. In this book, Brian Corman explores the question of how and why this came about. Corman provides a systematic survey of the reputations of early women novelists as canons of the novel developed over a period of roughly two hundred years, and, in so doing, suggests reasons for their frequent exclusion.

Women Novelists before...

In 1500, as many as 99 out of 100 English women may have been illiterate, and girls of all social backgrounds were the objects of purposeful efforts to restrict their access to full literacy. Three centuries later, more than half of all English and Anglo-American women could read, and the female reader was emerging as a cultural ideal and a market force. While scholars have written extensively about women's reading in the nineteenth and twentieth centuries and about women's writing in the early modern period, they have not attended sufficiently to the critical transformation that took...

This volume brings together twenty-nine pieces dating from before 1932, none of which appeared in Porter's collected works and many of which are published here for the first time. Both fiction and essays are covered. All these pieces belong to Porter's apprenticeship as a creative writer. Thus, they offer new insights into her artistic development and her relationship with Mexico, a place that, as she later said, "influenced everything I did afterward."