Kategoria BISAC: Literary Criticism >> European - Spanish & Portuguese

Literature Among Discourses was first published in 1986. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Literature in the High Middle Ages referred to anything written. Those who institutionalized the study of literature in the eighteenth and nineteenth centuries ignored this medieval meaning, and literary history, especially in the hands of teachers, became what Wlad Godzich and Nicholas Spadaccini call a peregrination from one...

Voices From an Empire was first published in 1975. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

The literature of the various regions of Lusophone Africa has received relatively little critical attention compared with that which has been focused on the work of writers in the English- and French- speaking countries of Africa. With the profound changes which are occurring in the social and political structures of Lusophone Africa,...

Benito Perez Galdos and the Creative Process was first published in 1954. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Most critics would rank Benito Perez Galdos second only to Cervantes among the great novelists of Spain. However, in spite of the esteem in which he is generally held, Galdos has been the subject of relatively few scholarly studies. Professor Pattison, by an analysis of two of Galdos' novels, attempts to reconstruct...

First published in 1914, Meditations on Quixote was Ortega's first book. It has immensely grown in value with time, and since the 1930's, when Ortega himself began to refer back to it in his later writings, it has become more and more important among students of his philosophy as a key to fuller understanding of his work. It may be said to represent the core of Ortega's thought, especially in regard to art and literature.

Only as a point of reference is this book concerned with Quixote. As was his custom, Ortega ranges widely and offers profound insights on Mediterranean...

Between the fourteenth and seventeenth centuries in Spain, a large number of parodic works were produced that featured depictions of humourous, satirical, and comical saints. The Laughter of the Saints examines this rich carnivalesque tradition of parodied holy men and women and traces their influence to the anti-heroes and picaresque roots of early modern novels such as Don Quixote.
The first full-length treatment of the ways in which Spanish writers imitated religious depictions of saints' lives for comic purposes, Ryan D. Giles' erudite study explores the inversion of oaths,...

"This is Perrone at his most brilliant. Erudite but accessible, thorough but playful: Brazil, Lyric, and the Americas is the latest contribution by the most knowledgeable U.S.-based scholar of the Brazilian lyric."--Severino Joao Albuquerque, University of Wisconsin

"Perrone retraces the dialogue of the Brazilian lyric with the poetry of the Americas in the generous spirit that the poets' utopia of solidarity will serve as a counterpoint to the harsher side of globalization."--Luiza Moreira, Binghamton University

In this highly original volume, Charles Perrone explores how...

By one of the most original and learned critical voices in Hispanic studies-- a timely and ambitious study of authority as theme and authority as authorial strategy in modern Latin American literature.

An ideology is implicit in modern Latin American literature, argues Roberto Gonzalez Echevarria, through which both the literature itself and criticism of it define what Latin American literature is and how it ought to be read. In the works themselves this ideology is constantly subjected to a radical critique, and that critique renders the ideology productive and in a sense is what...